辞赋

辞赋抒情功能得到加强。

Thirdly , fu 's function of expressing emotion is strengthened .

论扬雄辞赋的讽谏意识表现与形成原因

Discussion on the Satiric Consciousness of Yang Xiong 's Ci Fu

这些辞赋创作反映了寓有时代气息的文学思想。

Those works reflected the literary thought laden with contemporary features .

第一部分，考察南朝辞赋题材选择的时代精神及原因。

One chapter , investigate time spirit and reasons of theme choice .

第三部分论述金末元初辞赋创作的艺术特色。

The third part discusses the artistic characteristics of Ci-Fu .

论北宋后期辞赋与文人的文化生活

On Fu the Cultural Life of the Scholars in North Song Dynasty

辞赋创作表现出集大成意识。

Fifthly , the epitomizing consciousness of fu 's creation .

主文讽刺匪直匪愚&浅谈司马相如辞赋的讽谏艺术

On the Allegorical Art in SIMA Xiang-ru 's Prose Poems

辞赋研究的视角转换

The Shift of Perspectives in the Study of Ci Fu

铺陈是辞赋的基本创作方法。

Elaboration is the basic writing method of cifu .

古代赋的兴起、繁荣、发展及现代辞赋的创作

Rise , Prosperity and Development of Ancient Fu and Writing of Modern Fu

辞赋的发展透露出文化的力量和社会时代变迁的力量。

The development of Ci Fu reveals the force of culture and society shifts .

江淹是我国南朝著名诗人、辞赋家。

Jiang Yan is a famous poet and writer on Fu in the Southern Dynasty .

司马相如辞赋美学思想的现代阐释

Modern Interpretation of Sima Xiangru Fu Aesthetics

辞赋研究的视角转换，可以从以下三方面入手。

The shift of perspectives in the study of ci fu can be viewed from three aspects .

班昭是东汉著名的史学家和辞赋作家。

Ban Chao was a well known historian and writer of poetic proses in the Eastern Han .

屈原辞赋多用比兴象征，与传统观点不同。

Differing from the traditional views , Qu Yuan used to take the method of metaphoric symbol .

论北宋后期辞赋的特征

On the Characteristics of the Rhythmical Prose ( ci - fu ) in the Late Northern Song Dynasty

文本分析是围绕辞赋篇章中所流露出来的云南特色和社会层面来展开的。

The analysis is begin with Ci-fu revealed to Yunnan in the characteristics and social dimensions to proceed .

由此，草书体的迅速发展也引起了当时著名的辞赋家赵壹的责难。

Thus , the rapid development of cursive scripts was also attracted well-known accusations Zhao Yi Fu family .

汉代离古未远，汉代文学代表作品的辞赋，表现出明显的理性思考的轨迹。

Han Fu , as the typical form of Han literature , represents the clear evidence of rational thinking .

辞赋研究的视角转换符号学视角下的翻译视点转换

The Shift of Perspectives in the Study of Ci Fu Shift of Perspectives in Translation : A Semiotical Approach

本文将从辞赋发展的承传关系出发，结合有关历史资料，对这一问题进行探讨。

We will discuss this question in this article from the development of demit and the relative history data .

文章就宋赋的地位、宋人的辞赋观、宋代辞赋诸体，宋代辞赋的艺术风格及其演变过程等加以论述。

In the first part , the author points out the function of Song Dynasty Fugues should not be denied .

而后在章句时比附经义，用章句的方式来解读屈原的辞赋。

Then when the analogy by the meaning of the Chapters , with Chapters way to interpret the Qu Yuan Dynasties .

辞赋研究本就寂寥，对南宋中期的此类作品注目的更是屈指可数。

Research on Fu was seldom , profile of this class works in the middle of Southern Song Dynasty is numbered .

运用对比研究的方法，注重具体文本的分析和解读，分别从其辞赋的思想内容、艺术手法和文学理论等三个方面进行研究，认为其在模拟的基础上多有创新。

The author thinks his poetry have lots of innovations by studying them on the basis of contrast and text analysis .

第三部分研究明中期辞赋的回归溯源及所呈现出来的主体风格。

In the third part , the paper researches the regression and origin of the mid-Ming Fu and the presented main styles .

汉魏六朝辞赋的叙事性和虚构性，决定了其与同时代志怪的必然关联。

The nature of narrative and fiction made a relation between Fu from Han Dynasty to the Six Dynasties and bizarre stories .

然而，东汉后期，汉大赋所赖以生存的条件逐步消失，辞赋发生了转型，朝着抒情小赋的方向发展。

But in the late of Eastern Han Dynasty , the conditions which big Fu in Han Dynasty depend on disappear gradually .