艺术媒介

离开了对一定艺术媒介的具体的、创造性的操作过程，艺术的想像将不可能实现。

Artistic imagination will be impossible without an art as a medium .

电影是艺术媒介，也是传播媒介。

Film is a medium of art , and also a medium of communication .

巧借艺术媒介进行推介；

Take advantage of art media ;

直接电影的艺术媒介特征是这个流派特色得以形成的基础。

The features of artistic media of Direct Cinema were the basis of formation of this distinctive school .

思考作为艺术媒介的雕塑以及雕塑的制作方式使年轻艺术家梁硕展开了一个有趣的实验。

Thinking about sculpture and the making of sculpture resulted in a fascinating experiment by young artist Liang Shuo .

文字这种艺术媒介的最本质特点是它的间接性，以及由这个特点催生出的想象性和由此而产生的朦胧美。

As an art medium , words ' most essential feature is indirect and the imagination and gossamer beauty from it .

治疗目的乃期望透过艺术媒介，使参与者扩阔生命的体验，以创意方式达致个人成长及转变。

The art form is used to facilitate a fuller experience of life and living , and open up individual potential for creative growth and change .

在使用乐高积木艺术媒介作为，肖恩希望孩子成为启发他们的想象力和创造想象事物本身的伟大。

In using LEGO bricks as an art medium , Sean hopes that children will become inspired to visualize their imagination and create great things themselves .

可电影作为艺术媒介，肩负着将中国传统戏曲表演文化传承的重要任务，它必须将其发扬光大。

Film as a medium of art , shoulders an important task of passing on the cultural heritage of traditional Chinese opera , it must be carried forward .

作为2000年之后活跃于北京的后感性艺术家群体的一员，石青对各种艺术媒介和创作方式展开了广泛的实验。

A member of the Post-Sense Sensibility group of artists active in Beijing in the early2000s , Shi has experimented with a variety of materials and artistic approaches .

为了鼓励开放讨论性工作的相关议题，日日春关怀互助协会所运用的战术包括表演、摄影、诗歌、纪录片等艺术媒介。

The use of artistic media such as performance , photography , poetry , songs , documentaries is part of many COSWAS 's tactics to encourage open discussions on sex-work-related issues .

中国独有的毛笔、墨、纸等艺术媒介是线的艺术重要的物质基础。

Meanwhile , those artistic media used only by Chinese people , including brush , ink and paper , served as important physical basis of the " art of lines " .

电影作为一种重要的艺术媒介，依托画面、声音来展示生活，塑造人物形象，它承载了许多的社会责任。

As an important medium of art for the film , relying on the screen , and voice to show the life and shape the characters , it carries a lot of social responsibility .

伴随着人类科学技术的飞速发展，新的艺术媒介层出不穷，随着新材料、新观点的介入，新媒体艺术应运而生。

Accompany with the fast development of technology , new media of art emerge in endlessly . Accompany with the development of new material , new viewpoint , the new media art emerge as the times require .

中国人用这种带有西方意识形态的艺术媒介来表达自己的心境与感情时，如何将这种中西文化的冲撞解构并融合为一体是现当代油画艺术家们需要思考的问题。

Contemporary oil painting artists used to think about when Chinese use this art media with the western ideology to express their feelings and emotions , how should this clash Chinese and Western cultures and blend them together .

艺术媒介理论外延了艺术生产理论的范畴，拓宽了对艺术生产的认识范畴，有助于我们重新梳理艺术发展史，并对艺术分类提供直接的理论依据。

The theory of artistic media which has enlarged the range of artistic production theory and broadened the knowledge about it will help to re-understand the developmental history of art and thus provide direct theoretical foundations for artistic categorization .

艺术媒介的变化和基于数字媒体的艺术的普及，也使得当代以数字科技、艺术设计和新媒体表现相统一的新型艺术创作观念成为后影像时代的指导思想。

The change of art medium and the popularization of the art based on digital media have also made contemporary new art creating concept of unifying digital technology , artistic design and new media into the guiding ideology of post-image age .

通过审美范畴的建构与艺术媒介的选择，规范着民族审美思想的特征；并且在思维方法与审美观念两个方面显示出它对民族审美文化广泛而深刻的影响。

It normalizes the characteristic features of the esthetic ideas of the Chinese nation through the construction of esthetic categories and the selection of artistic media , and displays a widespread and profound influence upon national esthetic culture both in thinking way and in esthetic consciousness .

最后，考察作品是如何在不同的社会文化情境中透过各有差异的审美机制和内容方案，以不同艺术媒介的意象变化引发预设受众的审美认同，从而完成各自内在的价值诉求。

Finally , the thesis will study how these works in different socio-cultural context engender the aesthetic identification on their supposed audience with the changes of art media imagery through their different aesthetic mechanisms and programs of content , so as to meet their intrinsic appeals of culture value .

视觉传达毫无疑问更是应该从现代艺术对媒介探索的成果中吸取营养，借鉴其勇于开拓、大胆实验的精神及对待创作作品的态度和责任。

We should learn the adventure spirit of experimental attitude of media exploration .

所以，悲剧神话只能理解为以梦境艺术为媒介的酒神智慧之象征；

The tragic myth is to be understood only as a symbolization of Dionysian wisdom through Apollinian artifices .

20世纪早期，里韦拉（D.Rivera）等人复兴了湿壁画，常作为政治艺术的媒介。

In the early20th century it was revived by Diego Rivera and others , often as a medium for political art .

艺术新媒介的出现为书法创造了新的发展机遇，也给书法带来了一定的负面影响。

The appearance of the new artistic media has brought not only negative impact but also some opportunities to the calligraphy .

从信息有效传播的角度对展示艺术传播媒介及设计方法进行了探讨。

From the perspective of effective dissemination of information , investigation and discussion on the exhibition of the media arts and design methods are made .

归根到底，文学首先是一种基于媒介的艺术，媒介的形态特征必然会影响到文学传播活动的各个环节和整体面貌。

All in all , literature is an art based on media , whose forms and characteristics could influence every link and overall shape of literature communication .

在此基础上结合逻辑分类与信息视觉化的方法，提出了一个数字媒体艺术作为媒介产品的学科框架与应用领域的模型。

By combining the methods of logic classification and information visualization , the author proposes a theory and practical framework of digital media art as the media products .

对于书法与汉字的关系进行动态、综合的研究，确定汉字作为书法艺术的媒介，借助艺术媒介的相关理论得出书法创作是不能离开汉字的结论。

Dynamic and comprehensive study on the relationship between calligraphy and Chinese characters shows that Chinese characters is the medium of calligraphy which can never derive from Chinese characters .

电影分别作为商品、艺术、媒介所具有的商业性、艺术性、传播工具性共存于电影，但三性并非势均力敌平分秋色，商业性居于核心地位，是根本属性。

As commodity , art and media respectively , the film has the attribute of commerciality , artistry and propagating tool , which do not share the position evenly coexisting in the whole of the film .

作为最广泛最直接与观众产生交流的大众艺术传播媒介，电视剧人物形象的塑造便成了传达社会精神、文化观念与审美需求的重要渠道和符号。

As the most widely produced the most direct communication with the audience of mass media arts , drama characters shaped by social communication has become the spiritual , cultural and aesthetic needs of the concept of an important channel and symbols .

观念摄影的主体是表达某种观念，其作为观念艺术在媒介上的一种延伸与演变，是从观念艺术中抽离出的一种独立的创作手段与形式。

The main idea of conceptual photography is to express a certain idea . As an extension and evolution of conceptual art in the media , is the creation of an independent means and forms which is pulled out from the conceptual art .