戏剧流派

二十世纪五十年代在法国出现了一个比较重要的戏剧流派&荒诞派。

An important school of drama - the Absurd - came into existence in the 1950s in France .

众所周知，在20世纪50年代，一种新的戏剧流派&荒诞派戏剧开始兴起于法国，而后在欧美各国流行开来。

As is known to all , the Theatre of the Absurd appeared in France in the early 1950s . As a new school of drama , then it came into vogue in Europe as well as America .

表现主义是戏剧的主要流派之一。

Expressionism is one of the branches of drama .

这些戏剧思想与当时其他戏剧革新流派如自然主义、象征主义等有相似之处，但也存在本质上的区别，而这些区别也是契诃夫戏剧的独特性之所在。

This dramatic idea had similarities with those of other innovative genres such as Zolaism and Symbolism , however there still existed substantial differences among them , which were the unique features of Chekhovian drama .

因而，存在主义作为荒诞派戏剧的哲学基础对这一戏剧流派产生了很大的影响。

Existentialism is the philosophical basis of the Theatre of the Absurd .

塞缪尔·贝克特作为荒诞派戏剧的主要代表人物，将这一戏剧流派推向巅峰。

Samuel Beckett , as the leading representative of Theatre of the Absurd , pushes the new school of drama to its peak .

荒诞派戏剧是战后出现在欧洲舞台上的新的戏剧流派。

The Theatre of the Absurd was a new school of drama appeared on the stage of the Western world after World War II .

荒诞派戏剧是二战后出现在欧洲戏剧舞台上反戏剧流派，《等待戈多》被认为是轰动当时欧洲乃至世界文坛的荒诞派戏剧典范之作，它是贝克特从小说转向戏剧创作的转折点。

The Theatre of the Absurd is an " Anti-Theatre " during the postwar Europe . The Theatre of the Absurd was a new school of drama appeared on the stage of the Western world after World War II .

这篇论文将从他对现代戏剧理论的建构、对现代戏剧创作的创新和对现代戏剧流派的开创这三方面来进行分析论述，以此来证明斯特林堡是一位现代戏剧的开拓者。

This paper is to analyze from three points of view : his contemporary drama theory , his innovation of drama writing , and his initiation of the new drama schools . In this way , we can see how he became the pioneer of contemporary drama .

荒诞派戏剧是第二次世界大战后兴起于法国的一个重要戏剧流派。

As an important form of drama , absurd drama was popular in France after World War II .