现代水墨画

现代水墨画现状及发展的思考

The Reflection on the Current Conditions and Development of Modern Ink and Wash Painting

现代水墨画能够完成形式语言上的重大转换，这本身就是具有当代性的启示。

Modern ink painting , which can complete a major transformation in the language , is a contemporary representation itself .

现代水墨画站在现代性与本土性的文化立场，通过激变与突围的现代求索，积极的探索着水墨进入当代的可能性。

Modern ink painting stood for Modernity and Nativity , and break through the modern quest , to actively explore the possibilities of the contemporary ink painting .

在这篇文章中，作者以绘画的精神意味为索引，对现代水墨画发展的方向问题进行了自己的推断和阐述。

Focusing on the discussion about the spirit of painting , the author presented in the thesis her own analysis and speculation on the development of contemporary Chinese Painting .

现代水墨画作品应邀先后在西班牙巴塞罗纳、荷兰祖特梅尔、日本崎玉越谷等地展览。

He has also been invited to exhibitions at Barcelona of Spain , Zoetermeer of Netherlands , and Koshigaya of Saitama in Japan for his modern ink and wash paintings .

目前，我国现代水墨画的一个发展趋势是：在弱化笔墨的同时，最大限度地发挥水墨的特性。

At present , the developmental trend of modern ink painting in China is that painters should weaken the ink and at the same time maximize the characteristics of ink .

第四章通过引用大量画家的作品作为实例，从表现内容、媒材、技法等方面对现代水墨画的多元性进行了分析。

Chapter ⅳ makes a detailed analysis of the diversity of modern ink painting from the angle of its performance contents , media , techniques and the like , by reference to the works of a large number of painters as an example .

由此产生了现代水墨画的两难处境&既要保持推选为中国身份的水墨形象，又要把这种传统艺术融入到当代生活中去，使现代水墨不至于成为中国现代化进程中的局外人。

Now the dilemma of modem ink and wash is it not only must keep the ink and wash image of Chinese identity , but also must melt itself into the current lives as not to be the " outsider " during the Chinese modernization .

敢问路在何方&现代都市水墨画启示录

Where is the Road & An Apocalyptic of Chinese Painting in Modern Cities

这是一种现代中国水墨画极其少见的表现语言。

This is a very rare representational language in contemporary Chinese ink painting .

但是，相对中国水墨人物画的发展来说，写实性素描作为一种异质文化，它促进还是制约了现代水墨人物画的发展在是当下理论界和画界一直在探讨的一个问题。

However , objective drawing is a kind of heterogeneous culture in thedevelopment of Chinese ink portrait painting .

从古代传统绘画中汲取营养，不断探索现代水墨人物画的艺术语言，丰富人物画的表现力。

Draw nutrition from ancient traditional painting . Explore article language of modern wash and figure painting unceasingly and enrich expression about figure painting .

对写实素描造型观念的导入与借鉴，毋庸置疑的在一定程度上促进和催化了现代水墨人物画的演进与发展。

From the introduction of realistic sketch modeling concepts , undoubtedly promote to a certain extent and catalyzed the evolution and development of modern ink painting .

但由于现代静物水墨画从产生至今，时间尚短，理论依据和艺术作品都处于摸索和总结的阶段。

But since modern ink and wash painting creating , its time is still short so far , the theory basis and artwork are in the stage trying to find out and summing up .

如何处理以素描为代表的西方造型观与中国传统绘画的造型观的关系问题是现代水墨人物画的一个至关重要的问题。

The problem how to handle the relation that the model taking pencil sketching as west model Taoist temple and Chinese tradition drawing representing observes is a all-important problem of modern water ink figure painting .

本文阐述西方素描引入中国人物画，给水墨人物画带来的素描造型体系和现实主义创作精神，对中国现代水墨人物画的发展产生了深远影响。

This paper introduced the Western sketch of Chinese painting , brings to the ink painting sketch modeling system and the realistic creation spirit , has a profound impact on the development of modern Chinese ink painting .

能否正确认识西方素描对中国现代写实水墨人物画产生的影响这一问题，直接关系着现代水墨人物画的继承、创造与发展。

Correctly understanding the influence of Western sketch of modern Chinese ink painting of this one problem , directly related to the inheritance , modern ink painting creation and development .

所以《泼墨仙人图》的表现方式对现代没骨水墨人物画，无论是理论意义或现实意义在水墨画的空间上或中国画的发展上都有很强的指导性和实践性。

So " splash-ink celestials drawing " expression way of modern ink painting , whether no bone theoretical significance or practical significance in ink paintings on the space or Chinese paintings on the development of all have strong guidance and practical .

第三章分析了现代水墨的源起，这对进一步阐释现代水墨画的多元性发展做出铺垫。

Chapter ⅲ analyzes the origins of modern ink and paves the way to further explain the diversity of modern ink .