现代中国画

  • 网络modern chinese painting
现代中国画现代中国画
  1. 现代中国画艺术风格的立足之基

    The Base of the Artistic Style of Modern Chinese Painting

  2. 现代中国画艺术的表现离不开审美意象。

    The manifestation of modern Chinese painting is inseparable from aesthetic imago .

  3. 真诚善待用心感悟&刍议现代中国画现象

    Treating Sincerely , Feeling Intently & On the Phenomena of Modern Chinese Paintings

  4. 近现代中国画拍卖市场价格研究

    Research on Auction Prices of Modern Chinese Traditional Paintings

  5. 传统中国画与现代中国画的不同特点与欣赏;

    Third , the differences between traditional and contemporary Chinese Painting and their appreciation ;

  6. 现代中国画呼唤笔墨

    Modern Medium Chinese Painting Calls Pen and Ink

  7. 近现代中国画创作中人物画的造型演变

    Modeling Evolution of Modern Chinese Painting Portraits

  8. 审美意象与现代中国画

    Aesthetic Imago and Modern Chinese Painting

  9. 第五章探讨了近现代中国画拍卖价格指数的编制和应用。

    Chapter Five discusses the design and application of the auction price indexes of modern Chinese traditional paintings .

  10. 上世纪西学东渐的潮流对现代中国画有着深远和广泛的影响。

    The introduction of Western learning into China has a profound and pervasive influence on Chinese modern paintings .

  11. 本文通过对中国画中的写与意的论述,强调写意在中国绘画中的重要性,它对现代中国画创作具有深远的意义

    And the better understanding and using of xie yi will have a profound significance in the creation of modern Chinese painting

  12. 近现代中国画市场主要由民间个人交易市场、画廊市场和拍卖市场三个方面构成。

    Its market is made up of the market of individuals , the market of painting galleries and the market of auction houses .

  13. 第二章描述了近现代中国画市场的特征、近年来的发展以及其对拍卖市场的影响。

    Chapter Two describes the characteristics of the market of modern Chinese traditional paintings , its development and its effects on the auction market .

  14. 第三章研究了近现代中国画拍卖市场的发展和特征,对近现代国画拍卖价格的未来做出分析。

    Chapter Three studies the development and characteristics of the market of modern Chinese traditional paintings and analyzes the future of its auction prices .

  15. 现代中国画贵在独创,在新与旧,东方和西方的交融中,锐意进取,紧跟时代,创作出精品。

    Modern Chinese painting should keep pace with the time in the blending of the old and the new , the east and the west .

  16. 近现代中国画的教学长期依附西画教学模式,丧失了自身的体系。

    In modern times Chinese painting teaching has long been dependent on the teaching mode of Western painting and has lost its own teaching system .

  17. 现代中国画无论是在形式还在内容上都较传统中国画有较大的发展,呈现出一种多元化的态势。

    No matter its aesthetic forms or its aesthetic content , compared with traditional painting , modern Chinese painting has developed greatly in many aspects .

  18. 本文从现代中国画的发展,透视文人画产生的历史情境,阐明它的本质。

    Proceeding from the development of modern Chinese painting , the author analyzes the historical background of the emergence of scholar paintings and expounds its essence .

  19. 现代中国画构图,不管在内容上,形式和经营位置上,都张扬了一种个性的东西和思想的灵光。

    Modern Chinese paintings composition , no matter in its content , form and management position , presents a personality things and thoughts in the twinkling of an eye .

  20. 拍卖是一种非常适合绝对价值难以量化的商品的交易方式,拍卖在近现代中国画的交易中起着决定性的作用。

    Auction is a quite suitable trading way of the goods that has no easily measured value , so it plays a decisive role in the trading of modern Chinese traditional paintings .

  21. 现代中国画的发展是多元化的,并具有互补的格局,它走向世界的关键在于其民族特点、对外交流、文化渗透以及自身的发展;

    The development of modern Chinese painting is multiple and forms a complementary pattern . Its key to entering into the world relies on its national feature , foreign exchange , cultural penetration and its own development .

  22. 此章还将对中国传统色彩特点进行综合探究,对传统色彩理论存在的问题,以及现代中国画色彩的兼容性,对外来文化接纳借鉴等问题进行分析。

    The research on the characteristics of Chinese traditional color will also be integrated , problems in the traditional color theory , as well as the compatibility of modern Chinese painting color , on issues such as foreign cultures accepted reference for analysis .

  23. 中国画创作面向传统与现实的语言转换中,作者向心寻找题材,从心灵深处探求新文化下的现代中国画之美。

    Towards the tradition and in the language change of reality , the author seeks the subject matter to heart to the traditional Chinese painting creation , and from the heart depths seeks the beauty of modern Chinese painting under the new civilization .

  24. 这三个市场呈现出明显的梯级分布特点,而拍卖市场正是处于最高的位置上,它一方面以其他的市场为基础,另一方面也引领着近现代中国画市场发展的潮流。

    These three markets show an obvious feature of ladder like distribution and auction market is at the top , which is based on the other two markets on one hand and leads the trends of the market of modern Chinese traditional paintings on the other hand .

  25. 试论现代中国山水画的审美取向

    On the Aesthetic Orientation of Paintings of Mountains-Waters in Modern Chinese

  26. 这是一种现代中国水墨画极其少见的表现语言。

    This is a very rare representational language in contemporary Chinese ink painting .

  27. 他在现代中国山水画发展史上有着重要的地位。

    He holds a significant position in the mountains-and-waters painting history of contemporary in china .

  28. 现代的中国画图像传播必须考虑中国画图像信息的数字化和图像传播的网络化。

    The image of modern Chinese paintings Chinese paintings must consider the dissemination of information of digital images and image transmission network .

  29. 这是本文对现代中国人物画的生存和发展状态进行反思后的结论。

    This is also a conclusion drawn after carefully rethinking the existence and development of modern Chinese figure painting in the article .

  30. 然而,随着中国社会的高速发展,社会的激烈动荡与变革给现代中国人物画打上了深深的时代烙印。

    However , with the rapid development of China society , the Chinese Figure Painting is influenced deeply by the social intense turbulence and changes .