游戏冲动

游戏与艺术&席勒游戏冲动说的合理内核、历史局限与文化意义

Game and Art & Schiller 'S theory of game impulse and its rational core , historical confinement and cultural significance

对于岩画创作来说，素材冲动，形式冲动、游戏冲动，是深在的心理动因。

For rock painting creation , fodder motivation , form motivation and game motivation are the deep psychological motivation .

游戏冲动的关键是对外观的纯粹观照，从而也是对实在的离异。

The key point of the theory is a pure portrait of the outer looks and therefore is a deviation from the reality .

“恣肆形态”侧重于精神环境，勒温的“心理生理空间”和席勒的“游戏冲动”说为它提供了理论依据。

' Free and Natural Pattern'pays more attention to the spirit surroundings . Lewen 's Psychology and Physiology Space and Xile 's Game Exciting provides theory evidence for it .

在《审美教育书简》中席勒就试图通过把感性冲动和形式冲动结合起来形成游戏冲动去实现人的自由。

In Schiller 's Letters on the Aesthetic Education of Man , with the purpose of freedom 's realization , he combined the sense drive and form drive by using play drive .

这种见解的持有者宣称，我们的最高成就如宗教典礼、文学、法律的起源可以追溯到游戏的冲动。但令人不解的是我们看到只有幼兽和小孩子才最纯粹地享受着这种冲动。

The holders of this view claim that the origins of our highest accomplishments - liturgy , literature , and law - can be traced to a play impulse which , paradoxically , we see most purely enjoyed by young beasts and children .