审美判断力

审美判断力在康德哲学中的地位

The Status of Aesthetic Judgment in the Philosophy of Kant

康德认为，美的本源出自于人的理性能力与知性能力之间的审美判断力，但美的本源决非美的本质。

Kant believes that beauty originates from the aesthetic judgment between man 's rational capacity and cognitive capacity .

康德将美学与需借助概念的逻辑理性认识严格地区分开来，然而，审美判断力在面对艺术问题时，也不得不纳入理性的内容。

Kant strictly differentiates aesthetics from the logic rational cognition based on the conception .

从这个意义上看，伽达默尔阐释学的机敏问题就是从主体方面来探讨康德审美判断力。

Tact in Gadamer 's Hermeneutics is to probe Kant 's aesthetical judgment in aspect of subject .

康德对四个契机的论述虽有精辟之处，但这四个契机本身并不能构成审美判断力评判的完整体系。

Though there are some shining points in Kant 's explanation to the four moments , they are not enough to construct a complete system of the aesthetic judgment .

美的本质是审美判断力在其判断活动中展开的涉及到质、量、关系、模态四个方面的规定性。

However , the origin of beauty is not the essence of beauty , which is the prescription for the four aspects of quality , quantity , relationship and pattern as involved in the judgment activities in terms of aesthetic judgment .

提高审美转换的效果，应该从翻译主体的审美判断力、审美倾向、审美感受三方面，探求在审美意识控制下进行审美转换的有效途径，实现源语审美效果的完美移植。

For the effect improvement , we should explore an effective way of aesthetic transfer through three aspects of the subject-aesthetic tendency and aesthetic experience , so as to achieve the perfect transplant of aesthetic effect of source language .

“艺术”（审美的艺术、生产的技术）目的的理性依据是审美判断力。

The reasoning foundation of the aims of arts including the aesthetic and the productive ones was the aesthetic sense .

康德审美判断四个契机的观点，是他四项知性范畴学说在审美判断力评判中的运用，这主要是出于他先验哲学建筑术的需要。

Kant 's viewpoint about the four moments in aesthetic judgment , which was put forward mainly for the need of his Aprioristic Philosophy architecture theory , is the realization of his four intellectual categories in aesthetic judgment .