明代书法

第三章着重通过对嘉兴项氏藏品的分析来看明代书法活动。

Chapter three is about the characteristic of the calligraphy activities in Ming dynasty by means of analyzing the Xiang 's collection .

本文借鉴相关文化理论启示，从文化视角探讨明代书法演化的内在成因。

Referring to the relevant cultural theory inspiration , this article discusses the intrinsic formation cause of the calligraphy evolution of Ming Dynasty from the cultural perspective .

文章最后对陈淳书法在吴门书派中的特殊贡献，以及在明代书法史上所具有的承上启下的重要作用作了明确的定位。

The article makes a proper evaluation of Chen Chun calligraphy in the " Wu Men " calligraphy genre and makes clear its important linking role in Ming Dynasty calligraphy history in the last part of the article .

明代尺牍在中国书法史上具有重要的历史价值和地位，它有着鲜明的时代特点及独特的艺术表现。

The calligraphy of letters in Ming Dynasty which has vivid characteristics has important historical values in the history of Chinese calligraphy .

明代中期著名的书法篆刻家文徵明的长子文彭，深受其父文徵明的影响。

Ming and the famous calligraphy and seal the eldest son of Wen Zheng Wen Peng , Wen Zheng-ming of by his father .

本文通过对明代社会的发展变化及文人士大夫审美心理的分析，肯定了文人士大夫在艺术创作中的主体作用并通过对其审美心理的分析，来讨论研究明代书法风格的发展脉络特征。

This article affirms the literati in the main role of artistic creation and aesthetic psychology through its analysis , to discuss the characteristics of the Ming Dynasty style of calligraphy .