画面主体

电视教材画面主体构图浅析

The Main of TV Textbook Appearance and Composition Analyse

第三个，也是最大的矩形是一幅模糊的画中画，占据了画面主体。

The third , largest rectangle is an obscure painting-within-a-painting , reaching across the main picture .

那么，电视教材画面的主体，在构图方面遵循什么规律呢？

What law does the main part of appearance of the TV textbook follow on the composition of picture ?

衬底的地纹为细拉的镂空图案，画面的主体采用浅刻。构图精美，细腻耐看。

The base vein is thin hollow out pattern . The main body of the picture is carved lightly . The design is delicate and beautiful .

电影效果模式会预判到一个主体即将进入画面，当主体真的进入时，智能地转换焦点。

Cinematic mode anticipates when a subject is about to enter the frame , and intelligently racks focus to them when they do .

他画面中的主体在光线的塑造下，形象饱满，丰富的明暗为整体的意境添加了更多的意味，在无限的暗影中潜藏着不可预知性的神秘。

He subject of the picture in the light , image and full , rich light and shade of artistic conception adding more means , in the infinite shadow lurked the unpredictable nature of mystery .