电视散文

电视散文：屏幕上的文学新品种

TV Prose : A New Kind of Literature on the Screen

浅谈电视散文的声画特性

A Brief Talk on Sound and Frame Used in a TV Prose

电视散文的审美遗憾

Television Prose 's Appreciation of the beautiful Pity

观照人间世聚焦真善美&试论电视散文的价值追求

On the Value - Pursuit of TV Prose

电视散文：一个多元的矛盾集合体

TV Prose , a pluralistic Collection of Contradiction

论电视散文的文学特性

On the Literal Characteristics of TV Essays

认识电视散文必须在理解电视文学的基础之上。

The recognition of TV essays must be based on the comprehension of TV literature .

电视散文的特征与本质

Characteristic and Essence of Video Prose

电视散文的创作思考

The Consideration for TV Essay Creation

审美的动态复合文本的多元阐释&电视散文的审美特征

On Aesthetics of TV Prose Appreciation

与传统的散文相比，欣赏电视散文时，我们必须调动多种感觉方式。

Compared with the traditional prose , appreciate the TV prose , we must mobilize various feel way .

文本从传播学的五要素分析入手，提出了电视散文传播的策略，试图为电视散文的发展建言献策。

Text of the five elements from communication , this paper put forward the strategy of TV prose spread .

但由于大众文化的冲击和电视散文自身的原因，电视散文的发展面临着一些问题。

But because of the mass culture shock and TV prose their own reasons , TV prose development faced with some problems .

本文尝试从诗性、诗意、诗化三方面入手，分析电视散文的诗性品格。

This paper attempts to analyse the poetic style and quality of TV essays in terms of their poetic feature , atmosphere and style .

通过电视散文与文学散文相比较，品评出电视散文源于文学散文，又超越于文学散文。

Through comparing TV prose with literary prose , we can appraise that TV prose originates from literary prose , but oversteps literary prose .

电视散文作为一种新的电视文艺样式一经诞生就显示了极其强大的生命力。

As a new artistic style in TV literature and art , TV essays have shown their great vitality since the'y first came into being .

电视散文是伴随着文学的光环诞生的，然而那光环的光芒仅能照亮她的童年，即其诞生之初的二十世纪九十年代。

TV-prose was born accompanied with the light halo of literature . However , the light halo can only illuminate her childhood , the nineties of twentieth century .

本论文综合运用了文学、社会学、传播学及文化学的相关理论对电视散文进行审美与价值意义的分析，在论文研究的整个过程中贯穿传播理论的指导。

Literature , sociology , communication and culture are synthetically used to analyze the aesthetic characteristics , value and significance of the TV-prose . Communication thesis plays an important part through the whole study process .

探究电视散文生存的叙事策略，还可以从文本叙述方式的叙述主体、叙述人称和叙述话语等三方面解读对于事的叙述。

To explore the narrative strategies of survival of TV prose , description of matter can also be described in the text the way from the main narrative , and narrative description of discourse states that the three reading .

沿袭传统散文文本由字词句段构成篇章的组合关系，通过语汇的图示技巧、句段的组织艺术和篇章的结构手段对电视散文视听融合进行概述。

Followed the traditional prose text paragraph by words , sentences , paragraphs , combination constitutes a chapter in the relationship between vocabulary skills through the icon , the organization of sentences and paragraphs Arts , and means the structure of chapter overview of audio-visual integration .

文章通过对电视散文作品的具体分析，认为电视散文不是散文的屏幕再现，而是用电视手段表现传统散文的美学意境和风格，是一次全新的电视文艺创作。

This thesis , based on the concrete analysis of TV essays , maintains that a TV essay is not a mere recurrence of the original one , but an entirely new TV artistic creation by means of TV to express the aesthetic atmosphere and style of a traditional essay .

作为诗歌散文的媒体衍生，电视诗歌散文是一种集声音、画面于一体的文化载体。

As the media derivation of poetry prose , television poetry prose was a culture vector which gathers voice and image as an integration .

电视诗歌散文发展至今仍能有自己固定的观众群并常兴不败，与它这种独特的艺术风格是分不开的。

To nowadays , television poetry prose has its changeless audience group and kept a state of permanence , which was associated with this distinct art style .

随着电视艺术的发展，电视诗歌散文这种艺术形式悄然出现在了电视荧屏上，它以高雅的艺术风格在娱乐化、市场化为主导的当今时代一支独秀。

As the development of television art , the art style of television poetry prose was softly showed up on television screen , which showed predominance on the nowadays of mass media entertainment and marketization as the main stream for its decorous art style .

结合电视和电影的特点，将影像和文学联系起来，从声画、构思、抒情方面论述了电视散文的文学特性。

Combining with character of TV and film , connecting film with literature , this paper discusses literature nature of TV prose from sound , picture , lyric and conception .