悲秋

唐前伤春悲秋诗歌研究

The Research of Sentimental Poem of Spring and Autumn before Tang Dynasty

文学中悲秋主题，也与梧桐相联系。

The motif of autumnal lamentation in literature is also related to wutong ;

柳永是一位有着深厚的悲秋情结的词人。

Liu Yong was a very popular Ci writer who was full of autumn moods .

中国古代悲秋文学中的生命意识

Life Consciousness in Ancient Chinese Sentimental Literature

跳过绿春悲秋忍冬和来年更加青绿的夏天。

Having leaped from green spring , sad autumn and ruthless winter to next greener summer .

作为特定环境中的独特个体，蝉意象在中国古代文学中主要用于表现悲秋主题。

As a peculiar organism in specially designated environment , cicada as a literary image is mainly to manifest the theme of autumn-sadness .

而理解隐藏在悲秋主题背后的死亡意识则能更好的理解诗歌中的忧郁情感。

It is Better to understand the melancholy feelings of the poetry by comprehending the death awareness which hidden behind the subject of sad Autumn .

伤春与悲秋这一传统的文学主题在宋词中表现得非常集中、强烈。

The traditional literary theme of " grieving over spring " and " mourning for autumn " is expressed very intensively and strongly in Song poems .

作为第一位专业的市民作家的柳永，他善于营构凄冷哀婉的氛围，其词多抒发浓郁的游子不遇情怀、悲秋感伤情绪，从而呈现出瘦冷的文化特征。

His Ci usually expresses a strong feeling that scholars arent appreciated by their king , a sorrowful sense on grieving for autumn , and shows the thinness and coldness cultural feature .

在一千多年的变迁中，伤春悲秋诗歌经历了一个从现实人生到哲理思考，又回归现实人生的否定之否定过程。

In more than one thousand years , the sentimental poem of spring and autumn experienced a double denied course from true-life dissatisfaction to philosophy thinking , and then return to real world .

中国古典诗歌中悲秋的表达方式很多，蟋蟀声、蝉声和雁声是中国古典诗歌中典型的悲秋象征之一。

Crickets ' sound , cicadaes ' sound and wild geese 's sounds are symbols of melancholy autumn in Chinese classic poetry and fu , and were frequently employed to express homesickness , sadness , frustration etc.

一般认为由宋玉开创的云雨意象与伤春、悲秋主题，事实上都可以在《周易》中找到原型与源头。

Generally speaking , the image on sexual intercourse and the subject on sadness for spring and fall were setted by Song Yu , in fact all may center find the prototype and the source in Zhou Yi .

不仅如此，他还首开伤春悲秋的文学主题，奠定了云雨的经典意象及全方位描写女性美的手法，更开后世山水文学的先河。

Not only that , but he also opened the " spring " injury " BeiQiu " literary theme , laid the classic image of " sex " and all-round description technique of female beauty , more open landscape literary trend of future generations .