无我之境

谈王国维“无我之境”的哲学意蕴

On the philosophical implication of Wang guo-wei 's " selfless state "

无我之境&王国维境界论的精华所在

Selfless State " ── The Quintessence of Wang Guowei 's Theory of " Artistic Conception

《人间词话》无我之境的道家文化阐释

Interpretation on Taoist Culture of Selfless States in Comment on Ci and Poetry of Human World

走向无我之境：中国哲学诠释学基本问题之一

To " a Combination of Man and Nature ": One of Basic Question of Chinese Philosophical Hermeneutics

可想而知，我上七年级时次坐在计算机前是何等着迷，如入无我之境。

So when I sat down at a computer for the first time in seventh grade , I was hooked .

无我之境，即是以物观物，不带入个人情感，做到静观默照。

Two , without my habitat , namely is to observe things , not to individual emotion , do wait silent illumination .

陶渊明诗歌的无我之境和他伟大的人格是白居易效陶诗欲学而不能的。

The " non-self meaningful realm " of Tao Yuanming and his great personality are what Bai Juyi desired but failed to attain .

“有我之境”与“无我之境”作为两种不同的审美感受，都能够给人带来无功利的审美。

" Self state " and " selfless state ", as two different aesthetic experience , can bring to human the non-utilitarian aesthetics .

其中王氏提出的“无我之境”，从意境的整体性、创作过程以及以往词作实践来看，实际是不存在的。

" Realm without me " put forward by him did not exist in fact from the perspectives of the integrity of artistic conception , creating process and the practice of Ci-writing .

二是有我之境与无我之境的区分虽然化用了邵雍的观物说，却没有得到较好的阐释，尤其足与叔本华审美学说嫁接时出现观念混乱。

Secondly , although the distinction between me and no-me employed shaoyong 's saying of xianwu , it has not been well interpreted , especially when perception confusion arose in engrafting with the theory of taste .

这一说法逐渐被后人理解为有我之境是作者将自己的主观情感附着在所描绘的景物上，而无我之境则是从客观的角度来描绘景物。

Later this concept has been interpreted that the author putting his own feeling into the object that he is describing is in " selfward state ", and describing the object objectively is in " selfless state " .

王国维“有我之境”可再分为“小我之境”和“大我之境”，而“无我之境”更确切说是“超我之境”。

" Ego-involved Realm " of Wang Guowei can be further divided into " Small Ego-involved Realm " and " Big Ego-involved Realm ", and his " Ego-absent realm " can be more precisely said as " super-ego realm " .

正是由于他们无法正确解决人的问题，费尔巴哈最终走入了要在人间建立爱的宗教，而老庄则走入了无我之境，这样，唯心主义占据了整个空间。

It is due to their inability to correctly address the issues about man that Feuerbach at last get involved in the religious thought of producing love among human beings and Lao-Zhuang in the no-self situation , subsequently , theism predominates .

具体而言，他的译文尽可能保留原诗的意象、对偶、反衬、句长、重复、尾韵以及丰富的内涵等，因此，他的翻译更倾向于无我之境。

In practical terms , he tries his best to make his translation keep the original images , antithesis , contrast , sentence length , repetition , rhyme and rich connotation , so his translation is more inclined to " selfless state " .

相比之下，J.P.Seaton运用了意象并置，特定的排版方式，绝对节奏和自由诗等意象主义原则来翻译中国古诗，从而忽视了诸多构成中国古诗的特征，因此，他的翻译更倾向于无我之境。

By contrast , J.P. Seaton applies imagism principles like juxtaposition of imagery and free style to translate ancient poetry . Accordingly , he ignores many features that compose " three beauties " of Chinese classical poetry and his translation is more inclined to " selfless state " .

在这一长达近40年的文艺实践过程中，左翼文艺界为了在文学艺术中创造一个绝对无我之境，不断地调整自己的文化战略目标，追求一种绝对的纯粹。

In this long reaches in the nearly 40 years literary practice process , the left wing literary and art circles in order to create in the literary arts " absolute altruism " the boundary , unceasingly adjusts own culture strategic target , pursues one kind " absolute pure " .

历来关于王国维“有我”、“无我”之境的研究

A study of Wang guowei 's conception of " me alive " and " oblivious of me "