文学形象

  • 网络Literary Image;literature image
文学形象文学形象
  1. 从乐山的民间传说看苏轼的民间文学形象

    Discussion on Sushi 's Literature Image from Leshan 's Folk Legend

  2. 文学形象谱系与审美道德价值判断

    Literature Image Pedigree and the Judgment of Aesthetic Moral Value

  3. 女性主义审美观照下的男性文学形象

    The Male Image of Literature under the Beauty Taste of Feminists

  4. 文学形象、时空的模糊性特征

    The Characteristics of Vagueness in the Forms and images of Literature

  5. 教师是文学形象长廊中一个特殊的群体。

    The teacher image is a special group in the literary image corridor .

  6. 不同的社会文化基础孕育了不同的文学形象。

    Different cultural backgrounds result in different literary images .

  7. 从比较文学形象学角度看电影《大地》对中国农民的描述

    The Image of Chinese Farmers in the Film of " Good Earth "

  8. “愚者”是一个世界性的经典文学形象。

    The image of " Fools " constitutes part of classics in world literature .

  9. 刘备文学形象和历史形象大异其貌之文化成因

    On the Cultural Reason of Liu Bei 's Different Literary Image and Historical Image

  10. 形象大于思想现象的发生,既和作家的主观动机有关,又和读者的想象、联想有关,文学形象本身的特点,则是连接二者的中介或桥梁。

    The characteristics of the literature image , is intermediary or bridge of the two .

  11. 试论文学形象的分层评价标准

    On the Separated Critical Standard of Image

  12. 其中含量最大、最富于时代特色的就是对商人的描写,而且作品中所描写的商人作为文学形象又有深刻的历史认识价值。

    And the businessmen as literature images in the work have a deep historical cognition value .

  13. 她美丽而恐怖,多情而散漫,既是一种信仰对象,也是一个奇丽的文学形象,因而从她身上还可获得对相关民俗事象与小说题材的读解。

    From her , one may have an understanding of correlative folklore facts and fictive themes .

  14. 整体南宁文学形象也在这三种形象的基础上建构起来。

    Constructed on the basis of the overall the Nanning literary image is also three images .

  15. 阿Q是一个文学形象。

    AQ is literary figure .

  16. 从典型文本看文学形象的美学特征

    Typical Aesthetic Features in Literature

  17. 总之,文学形象(角色)既有现实的“人”性,又有一定“叙述性”,是这两者的奇妙结合。

    To sum up , literary character is a fantastic combination of human nature and narrative skills .

  18. 摩登女性的文学形象体现了男性对于自由知识女性的态度。

    The literary image of modern women indicates men 's psychological reaction as regards professional women intellectuals .

  19. 王昭君这一文学形象的内涵就是在诗与史的对话中逐渐丰富起来的。

    The content of Wang Zhaojun ` s image was enriched between the poetry and history gradually .

  20. 谈文学形象翻译中的添加法

    Adding in Translating Literary Images

  21. 文学形象表象的模糊性属文学作品中的常规现象。

    In literary works , the obscurity in the idea level of literary image is an universal phenomenon .

  22. 文学形象的评价标准可以分为局部的和基本的两类。

    The critical standards of image can fall into two kinds which are basic standard and partial standard .

  23. 曹七巧这一文学形象是张爱玲对中国现代文学的一个贡献。

    The literary image of Cao Qi-qiao is one of Zhang Ailing 's contributions to modern Chinese literature .

  24. 第二节从诗歌的措辞、修辞研究了诗歌的模糊性并分析诗歌模糊的原因;第三节从文学形象、语言特征、文学修辞三个方面研究了文学的模糊性。

    It researches the fuzziness in poetic wording and rhetorical features , as well as in other literary works .

  25. 《怀念狼》是贾平凹一部成功的探索性作品,极为娴熟自由地构设了一种艺术抽象的诗化之境:其文学形象符号化,实现了艺术地把握生活的象征性跨越;

    Ion . The signified literary images have realized the symbolic leap for the artistic control of life itself .

  26. 悲而不颓,柔与刚的统一&3个文学形象审美特征的论探

    Sorrowful but not Dispirited-Unification of Softness and Hardness ── Discussion on Three Literary Figures from the Aesthetic Point of View

  27. 结语部分指出了比较文学形象学对主体文化和文化对话的注重。

    Conclusion : This part indicates that the Imagology of Comparative Literature pays attention to subject 's culture and cultural dialogue .

  28. 中国社会根深蒂固的乡土性表明农民阶层在历史文化中自始至终占据着主体位置,而农民作为一种具有丰富审美内涵的文学形象在文学文本的历史传承中呈现出明显的差异性。

    Chinese society ingrained local has indicated that the farmer social stratum took up the main position in the historical culture ;

  29. 它已经超越了一般的文学形象世界的意域,成为具有意义和价值的象征化的符号世界。

    It has transcended the general ideology of literary image 's world , and become the significant and valuable symbolic world .

  30. 文学形象是内视形象,是人们确立自己心灵存在的最好方式。

    Literary image is within the visual image , is that people exist to establish the best way to your heart .