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中国音乐史

  • 网络Chinese music history;History of Chinese Music
中国音乐史中国音乐史
  1. 《中国音乐史》是人文素质培养的丰富矿床,可以挖掘、渗透和发挥的人文教育因素很多。

    Chinese music history has many factors to cultivate and develop humanistic education .

  2. 谈开设中国音乐史课的必要性

    The Necessity of Offering Chinese Music History Course

  3. 关于重写中国音乐史的话题是一个重要的问题。

    It is an important subject to rewrite the Chinese musical history .

  4. 关于地方高等师范院校《中国音乐史》教学的思考

    The Thinking of Local Higher Teachers ' College of Chinese Musical History Teaching

  5. 时空观念的统一:有关中国音乐史教学与研究的思考

    Reflecting on Teaching and Studying about Chinese Musical History

  6. 音乐考古学在中国音乐史研究中的当下意义

    Study on the Role of Music-archeology in the Research of Chinese Musical History

  7. 对中国音乐史多媒体课件教学的探索与思考

    Study on multimedia teaching of Chinese music history

  8. 《中国音乐史》与高师音乐专业学生人文素质的培养

    Fully Developing the Function of Chinese Music History on the Music Students Humanistic Quality

  9. 在中国音乐史学科的研究中,音乐图像学是一个非常重要的研究领域。

    Music iconography is a most important part in the study of Chinese music history .

  10. 中国音乐史是一门阐述我国音乐文化发展历史的学科。

    Chinese music history is a subject that expounds the development history of our music literature .

  11. 进而为中国音乐史研究中所遇到的古乐形态方面的问题,提供一些可参考的资料。

    And it also provide some reference materials for a deep study of the Chinese musical history .

  12. 《乐记》是在中国音乐史和文艺理论史上都十分重要的著作。

    Yue Ji is a very important works in the history of Chinese music and literary theory .

  13. 两个怪胎&当代(近现代)中国音乐史重要话语解析之一

    Two Teratism & Analysis on the Important Words in the Contemporary ( modern times ) Chinese Music History

  14. 《何日君再来》在当代(近现代)中国音乐史上是一首颇富争议的歌曲。

    When would you come again is one of the most disputed songs in the Chinese contemporary music history .

  15. 中国音乐史学会第七届年会暨中国音乐史教学研讨会在福州举行

    Report of the 7th Annual Meeting of Chinese Music History Association and the Symposium on Chinese Music History Teaching and Learning

  16. 他的首次个人演唱会门票37分钟内售罄,在中国音乐史创下历史记录。

    And the tickets for his first solo concert sold out in just 37 minutes , setting a record in Chinese musical history .

  17. 当代音乐思潮研究的新收获&居其宏新著《新中国音乐史》读后20世纪二、三十年代的国粹主义音乐思潮

    New Benefits from the Studies of Contemporary Musical Thoughts The Trend of Quintessence of Chinese Culture and Musical Thought in the 1920s and 1930s

  18. 从音乐学的角度来解读《诗经》,认为它是中国音乐史上第一部歌词集。

    This article , from music perspective , interpreted The Book of Songs and believed that it was the first words of song book in Chinese history .

  19. 在中国音乐史的分期中,常常把学堂乐歌看作是中国近现代音乐史的开端。

    In the division of the historical periods of Chinese music , school song is generally regarded as the beginning of the history the modem Chinese music .

  20. 第二章进一步深化研究,具体分析湘版中小学音乐教材与高师中国音乐史课程内容进行对接的可行性。

    The second chapter Concrete analysis of middle and primary school teaching material and high normal Chinese music history course content on the feasibility of the docking .

  21. 文章按照撰写的体例及特点,将中国音乐史文献归纳为七大类,一方面想引起学术界的关注,另一方面是涉足音乐史学的研究者提供一些基础性的参考与参照。

    The author divides them into seven categories to provide researchers involved in music history with some basic information and reference , and to attract attention to such academic phenomena .

  22. 安岳坟壁画的发现为我们研究韩国音乐史提供了珍贵资料,对我们探索中国音乐史也很有启迪。

    That discovery of mural in Anyue Tomb provided us rare historic materials to research the Korea music history , and also it would enlighten us to explore the Chinese music history . Mr.

  23. 而这一段宝贵经历,无疑为他以后从事词籍、词目、词乐、词律以及中国音乐史、中国音乐与宗教之关系的研究,奠定了一个极为重要的开端。

    Undoubtedly , it is this invaluable experience that established highly significant basis in Rao Zong-yi 's research afterwards in Ci , Chinese musical history , as well as the relationship between Chinese music and religion .

  24. 中国音乐史学科发展前瞻十要点&哲学、美学、音乐学学术前沿成果报告会演讲提纲

    Ten Main Points On Watching the Development of the Subject of the Chinese Musical History From A Height : The Outline For the Lecture About A Public Lecture of the Scholarships in Philosophy , Esthetics & Musicology

  25. 江定仙是是二十世纪中国音乐史上第二代作曲家的代表人物之一,他一生致力于音乐创作和教学,留下大量优秀的艺术作品。

    Jiang Dingxian Chinese music in the history of the twentieth century , the representative of the second generation of composers , his life devotes to music creation and the teaching , has left behind the massive outstanding artistic work .

  26. 这一理论揭示出了中国音乐史中音乐形态的发展规律,使中国音乐史学研究走向科学化,并预示着未来中国音乐史科学发展的新趋势。

    The thesis shows the laws of the development of music forms in music history . It makes the research of Chinese music history scientific , and promises the new trend of the development of Chinese musical history in the future .

  27. 因此,朝鲜半岛的古代音乐史料是中国音乐史研究资料的重要组成部分,韩国学者的工作是中国学术的必要借鉴。

    Thereby , the historical materials of the ancient music in Korea peninsula is an important constitution part of the research information to the Chinese music history , and the work by Korea scholar is a necessary reference to the China academia .

  28. 纵览中国音乐史的发展,从古代到近现代,前辈们不断的研究与探索,取得了许多的成果和经验。

    An overview of the development of Chinese music history shows that , from ancient times to modern times , the elders have engaged in the constant research and exploration of the music history and made a lot of achievements and experience .

  29. 本文以辽为中心点,划出横、纵两条主线,以求从音乐文化角度阐释契丹民族及其建立的辽王朝在中国音乐史上所做出的不朽贡献。

    The paper centers on the Liao music , together with other two main strokes , from the point of musical culture to illustrate the great devotion in the history of Chinese music , which was made by Qi Dan and the later known as Liao Dynasty .

  30. 下篇是对夏野先生中国古代音乐史研究的研究。

    In the study of Chinese ancient music , Mr.