在以上这些潮流的影响下，舞台设计师们不再受到镜框式舞台的束缚，不追求现实生活的平面翻版，转而用戏剧来表现人的情感和内心世界。
Responding to these tendencies , designers turned from the box set and its depiction of photographic reality to theatrical expressions of emotional and mental states .
镜框式舞台