运笔

yùn bǐ
  • wield the pen
运笔运笔
运笔 [yùn bǐ]
  • [wield the pen] 笔法的运用;动笔

  • 悬腕运笔

  • 时而搁笔沉思,时而运笔如飞

运笔[yùn bǐ]
  1. 我认为首先要有很好的笔法,也就是如何运笔。

    First , good brushwork , that is , how to hold and use the brush in writing .

  2. 基于基本笔画运笔特征的汉字笔迹鉴定的研究

    Chinese Character Writer Identification Based on Motion Features of Basic Strokes

  3. 在书法艺术中,曲不离直,直不离曲是运笔作书的重要原则。

    The straight goes along with the curved is a major principle .

  4. 这幅画的构思与运笔柔和而简朴。

    There is a benignant simplicity about the execution of this work .

  5. 她在技巧和运笔上都有所进步。

    She is evolving with technique and her handling of the brush .

  6. 试谈运笔节奏特征

    The Rhythm Characteristic of Pen Movement in Handwriting Comparison

  7. 运笔技巧决定了书法家的书写技巧和风格。

    The manipulation of the brush determines the skill and style of a calligrapher .

  8. 第四章对油画艺术中运笔价值的几点思考。

    The fourth chapter contains several Reflections about the value of TB in oil painting .

  9. 思想是从运笔中产生出来的。

    The pen originates the thought .

  10. 第二章详细论述运笔在油画创作中的作用。

    Chapter II discusses the role of the texture of the brushwork in their artistic creation .

  11. 第三章具体分析运笔在审美过程中的作用。

    Chapter III analysis the role of the texture of the brushwork in the process of aesthetic specifically .

  12. 第一章论述了油画运笔的演变及发展史。

    The first chapter discusses the evolution of the texture of the brushwork and the development of its history .

  13. 运笔是油画造型语言形式美的重要表现手段。

    The texture of the brushwork is an important means of performance for oil painting in Modeling and language forms .

  14. 日本墨象就是指墨的使用和运笔的技术使墨产生的艺术效果。

    Japan ink painting refers to the use of ink and brush techniques to produce the artistic effect of the ink .

  15. 诗的后两句「殷勤谢红叶,好去到人间」,运笔更委婉含蓄。

    After the two poems ," gracious thank leaves , good to go to the earth ", the pen moves more euphemistic .

  16. 基于三维力信息的笔交互毛笔书法效果表达在书法艺术中,曲不离直,直不离曲是运笔作书的重要原则。

    Handwriting Representation of Chinese Brush Calligraphy Based on Three-Dimension Force Information The straight goes along with the curved is a major principle .

  17. 包括执笔、运笔、点画、结构、布局(分布、行次、章法)等内容。

    Including the pen , brush , stippling , structure , distribution ( distribution , transportation times , the rules ) and so on .

  18. 花饰,旋曲一种精致的弯曲或卷曲,如用钢笔写成的花饰在书法艺术中,曲不离直,直不离曲是运笔作书的重要原则。

    A fancy twist or curl , such as a flourish made with a pen . The straight goes along with the curved is a major principle .

  19. 画垂直线时自上而下运笔;画水平线自左而右的画线方向最为顺手,这时图纸可放斜;

    Generally , the moving direction of the pencil is from the top down for a vertical line while from the left rightward for a horizontal line .

  20. 王氏重拙大论包括用笔与托旨两方面的内容,即运笔的力量、气概;情感的真质,题材与寓旨之大。

    His theory consists of two parts : the use of writing , which is about its force and spirit at a point , the sincere feeling and great hint .

  21. 离线手写体笔迹图像很容易被模仿、复制,而在线鉴别系统普遍采用的运笔速度、加速度、压力等动态信息,在离线图像中已保留得不多了。

    In addition , it is nearly impossible to detect from them the dynamic information utilized by the online systems , such as the writing speed , acceleration , and pressure and so on .

  22. 在选用手书基本笔画为研究对象的基础上,进一步从手书汉字中抽取基本笔画作为对象,在基本笔画中抽取反映各自行笔部运笔的特征,形成多维特征空间。

    We select the basic handwriting strokes and the strokes extracted from Chinese characters as the main objects , extract respective motion features in the basic strokes , and then form the multi-dimension feature spaces .

  23. 行笔、运笔等技巧相同,中国书法是“以线造字”,而中国画历来是“以线造型”(以线条为主要造型手段)。

    Bank , Yunbi skills such as the same , Chinese calligraphy is " line-defined " and Chinese painting has always been a " line modeling "( lines as the main means of modeling ) .

  24. 基于汉字笔迹鉴定的有效特征主要蕴于手写汉字笔画运笔中的设想,提出以汉字笔画作为笔迹鉴定的主要对象。

    The research was based on an assumption that valid features in handwritten Chinese characters were contained in motion of the handwritten characters ' strokes . Therefore we deal with the basic strokes as main object in writer identification .