赋格

你能把这个赋格曲转换成G大调吗。

Can you transpose this fugue into G major ?

演奏家用两副键盘和踏板演奏了一首赋格曲。

The organist played a fugue using two keyboards and the pedals .

DP由于和表场所的短语构成一个主谓短语做谓语，所以，它就不存在赋格的问题。

The DP in question will not be subject to the case filter , due to its being part of the inner small clause which functions as a predicate for the expletive there .

管约论认为ECM受NP格的驱动推导而成，赋格主要允准条件为管辖和邻近，其结果往往因限制过于严格而无法达到完全解释。

In GB theory , derivation of ECM is case - driven , case assignment is licensed on the bases of Government and Adjacency , which result in the failure of Full Interpretation , together with numerous constraints .

大气磅礴的三重赋格&朱践耳第九交响曲大赋格段分析

To Analyze The Grande Fuge Section of Zhu Jian'er Symphony No.9

这点尤其反映在这首钢琴杰作《巴赫主题变奏与赋格》中。

This is particularly true of the'Bach'Variations , Reger 's piano masterpiece .

亨利·浦塞尔戏剧音乐中的赋格原则

The Fugue Principle in Henry Purcell 's Drama Music

赋格曲前面或引入歌剧一幕的音乐。

Music that precedes a fugue or introduces an act in an opera .

其次，对西洋复调音乐体裁&《序曲与赋格》作了一些必要的介绍。

The next , introduced the Preludes and Fugues .

这部钢琴套曲其中包括了五首前奏曲与赋格。

This piano melody including five preludes and fugues .

威尔第歌剧《法尔斯塔夫》赋格终曲研究

Research on the Finale Fugue in Falstaff by Verdi

第三乐章，运用了复调写作的最高形式&赋格。

The third movement , the use of the highest form of polyphonic writing-Fugue .

精彩纷呈的密接和应&肖斯塔柯维奇《24首序曲与赋格》研究札记

Research Notes Of Shostakovich 24 Prelude And Fugue

尤其是在复调技法方面，最集中的体现是在赋格的应用上。

Especially in Fugue , the concentrated expression is the application of the Fugue .

前奏曲与赋格套曲的写作（上）

Writing of the Suite Prelude and Fugue (ⅰ);

赋格是一种用对位法写作的作品体裁，有特定数量的声部。句中的。

Fugue is a type of contrapuntal compositions for particular number of parts or voices .

平均律钢琴集24首，收集的前奏曲和赋格，第2册。

The Well-Tempered Clavier ( 24 ), collection of preludes & fugues , Book II .

激越情感中的赋格精神&论贝多芬第九交响乐中赋格段的使用

Spirit of Fugue in Exaltation Feelings & On the usage of Fugue in Beethoven Symphony No.9

第四章，对贝多芬晚期作品中赋格应用的主要特征进行深入的探讨。

The fourth chapter deeply discusses the main characteristics of fugue application in his late works .

五首乐曲都建立在五声调式体系之中，使用前奏曲与赋格连接而成。

Five songs are based on five of this system , use preludes and fugues connected to .

前苏联作曲家谢德林的《24首前奏曲与赋格》，是20世纪钢琴复调音乐中的重要文献。

That Shchedrin 's 24 Prelude and Fugue is an important work of the counterpoint music in 20th century .

在这个终曲里他把赋格的传统和新奇手法结合起来，共同制造了一个复调的胜利。

In the Finale Fugue , he combined the traditional and original methods to arrive at a victory of polyphony .

赋格写作是作曲技术理论专业学生的一门必修课，它有自身完整的理论体系和技术规范。

Fugue Composition , which is a required course for composition major , has its own integrated theory system and technical standard .

一切写得美好的音乐作品，即使它没有赋格曲的特征和形式，但至少应该具有赋格曲的精神。

All beautiful music pieces , even though it contains no features and forms of fugue , it should possess spirit of fugue .

目前研究的焦点主要集中在动词作格的赋格，动词作格的诊断句式，句法结构和语义。

At present , the researches mainly focus on the case of ergative verbs , ergative diagnostics , syntax-based approach and the semantic-based approach .

第二章详细分析了赋格终曲的音乐本体以及它在整个歌剧中的意义。

In chapter Two , there is a detailed musical analysis of the Finale Fugue itself and its place in the whole comic opera .

第三章，详细论述贝多芬晚期作品中赋格的应用。主要体现在晚期的钢琴奏鸣曲、弦乐四重奏、交响乐以及庄严弥撒曲等作品中。

The third chapter details fugue in his late works , which mainly reflects in late piano sonatas , string quartets , symphony and solemn works .

通过全文的分析，我们可以得知，《法尔斯塔夫》赋格终曲是统领该喜剧音乐和戏剧的灵魂。

From the whole analysis we can know that the Finale Fugue in Falstaff is the soul of music and drama which presides in the opera .

门德尔松的赋格曲是浪漫时期音乐转型过程中的产物，是作曲家在古典形式下表达内心情感的作品。

Mendelssohn fugue is a romantic musical product of the transition process is the composer in the classical form of the expression of inner emotional work .

他将赋格这种复杂的技术继承并进行新的创新与发展，为后来的作曲家在赋格创作上开辟了新局面。

He inherited the complex technology on fugue and made further innovation and development , which opened up a new situation for later composers to create fugue .