传统戏曲的剧场体制为男旦跨性别表演奠定了基本程序与前提规范。
The theatre-setting of traditional opera lays down basic procedures and norms for cross-gender performances .
它的局限在于忽视了男旦在中国传统戏曲艺术中的特殊审美价值。
Its limitation is because he ignored the NanDan 's special aesthetic value in the Chinese traditional opera art .
男旦