洛神赋图

本文从《洛神赋图》的创作背景出发，简述魏晋时期的美术概况从而引出主题。

This article from the " Lo River map " creative background , a brief overview of the Wei and Jin periods and thus leads to the theme of art .

《洛神赋图》的母本无疑都是出自一人之手，并且有着鲜明的魏晋南北朝时期的绘画风格，它即便不是顾恺之所画。

The thesis concludes that it is not doubtful that the original of the painting is created by one painter , and it shows a vivid painting style of the Wei-Jin-South-North Period .

歌曲创作者所要关注的古画包括《千里江山图》、五代十国画家顾闳中的《韩熙载夜宴图》、东晋画家顾恺之的《洛神赋图》。

The paintings that the songwriters have to focus on include A Panorama of Rivers and Mountains ; Night Revels of Han Xizai by Gu Hongzhong , a painter of the Five Dynasties and Ten Kingdoms ( 907-960 ) and Nymph of the Luo River by Gu Kaizhi , a painter of the Eastern Jin Dynasty ( 317-420 ) .

文章试图从审美理念、审美视角、审美体验与审美表现手法四个方面探究《洛神赋》和以之为脚本的《洛神赋图》之间的审美递变关系。

This essay tries to study the relationship between Ode on Goddess Luo and Painting of Ode on Goddess Luo from the perspectives of aesthetic concept , aesthetic angle of view , aesthetic experience and the technique of aesthetic expression .