文艺阵地

讽刺文学在《文艺阵地》发展文艺美学

Satire in Literature and Art Front Developing Literary Aesthetics

在20世纪中国文学的家园里，《文艺阵地》不愧为一株文艺的奇葩。

In Chinese literature circle of the 20th century , The Literary Position was indeed a literary miracle .

茅盾于1938年4月16日创办了半月刊《文艺阵地》并主编了前18期。

MAO Dun launched the semimonthly Literary Position in 1938 , and edited from the first 18 issues .

《文艺阵地》是抗日战争时期茅盾主编的一种大型的综合性文学期刊。

The Front of Literature and Arts , is a comprehensive and voluminous literary periodical edited by Mao Dun during the War of Resistance Against Japan .

茅盾主编的《文艺阵地》体现了以下编辑特色：以文艺刊物为抗战服务、为民族的解放事业服务；

These issues edited by MAO Dun show the following editorial features : to entitle literary periodicals with the responsibility of serving for the War of Resistance and national emancipation course ;

《文艺阵地》见证了日本文学与日本作家的双重堕落，将其战时化的轨迹清晰地勾勒出来，作为反例，以资警鉴。

It witnesses the double degenerations of Japanese literature and writers , and draws out the clear course of its war orientation , in order to offer some warns and lessons from this negative example .

为发挥救亡与启蒙的职能，戏剧演变为中坚性的文学活动，戏剧理论也因而成为《文艺阵地》译介的重中之重。

To bring the function of enlightenment and national salvation into full play , the dramatic theories become the priority of its translation and introduction when drama develops to be the backbone of the literary activities .

作为左翼刊物，俄苏文学在《文艺阵地》中享有不争的地位；而置于抗战语境下的《文艺阵地》，也自然与世界反法西斯文学息息相关。

As a left-wing publication , Russian-Soviet literature enjoys an indisputable position . In the context of the Resistance , the Front of Literature and Arts is closely linked with the worldwide anti-Fascist literature by nature .

他选择了《文学杂志》作为后期京派文艺阵地的实践途径，同时又以《诗论》作为中西合璧的实践途径。

He has chosen literature magazine as the practice field of the literature and art position , and regard theory of the poem as the practice way that the chinese-foreign matches well again at the same time .

前期创造社同人以《创造》季刊和《创造周报》为文艺阵地，凭借挑战这一行动策略，在文坛异军苍头突起。

Early Creation Society 's colleagues as a new force use the quarterly publication Creation and Creation weekly as literature front suddenly rises on the new literary world , depending on the action strategy of " fighting " .

《文艺阵地》的译介，呈现出鲜明的战时性；而意识形态的色彩，尤为浓重；与专业刊物相比，泛文学化的特征更见显著。

The translation and introduction of the Front of Literature and Arts take on sharp features of the wartime , and the ideological colors are rather striking . Compared with the specialized publication , the character of over-literature is more prominent .