以形写神

用以形写神、迁想妙得等观点统一起来，建立了绘画美学系统，为中国绘画美学的发展奠定了深厚的基础。

What he did laid the solid foundation for the development of China painting aesthetics .

在坚持以形写神、骨法用笔、外师造化，中得心源的优良传统的同时，以我为主的吸收优秀外来元素，推动写实水墨人物画造型的成熟与发展。

It , by sticking to the excellent tradition and simultaneously absorbing the foreign good elements , pushes forward the maturity and development of realistic painting modelling .

江南画法以形写神，以神唤形，形神达到完全统一。

The south of Yangzi River drawing technique writes the god by the shape , calls the shape by the god , the relationship of form and spirit achieves unifies completely .

中国艺术以形写神，以形似达到神似，神似重于形似。

The art of China is written the good with the shape , Alike in spirit in order to be similar to reaching , the similar of spirit is more important than that of the shape .

独特新颖的构思、新鲜题材的择用和以形写神的含蓄的表现手法是作品成功的保证。

The unique and original conception , the new choice of theme and the " implicit " technique of expression which depicted the spirit by describing the appearance made great contribution to the success of the work .

在吸收西方的一些造型和绘画技法的同时，要始终坚持中国画以形写神的意象造型的绘画特点，把握民族的绘画传统精华。

In some western painting techniques model and at the same time , to persist in writing form Chinese " god " of the image of the painting , grasp the characteristics of model of ethnic traditional paintings .

魏晋南北朝到隋唐，绘画重传神意识在逐步加深，并体现出形与神的辩证关系&以形写神。

In the southern and northern dynasties to sui and tang dynasties , painting heavy awareness in gradually deepening , god and reflects the form and god of the dialectical relationship between & in a written form of god .

它题材广泛、内容丰富，讲求立意为先，以形写神形神兼备不照搬生活，也不脱离生活，是生活的艺术写照。

The extensive , abundant in content in it subject matter , it stress " conception for first "," whether write with shape god have both appearance and expression " Neither imitate life , nor break away from life , it is the artistic portrayal of the life .