音乐社会学

音乐社会学在中国&中国音乐社会学研究20年述评

Sociology of Music Research in China

通过对现有资料的梳理和分析，在前人研究的基础上，运用音乐史学、音乐社会学以及宗教文化学的研究方法对其进行系统研究。

Through the survey and analysis of current materials , on the basis of others'researches , to study it systematically by way of music historicology , music sociology and religious culturology .

简论阿多尔诺音乐社会学的否定精神&从阿多尔诺对勋伯格和斯特拉文斯基的评论谈起

On Negative Spirit in Adorno ′ s Musical Sociology

音乐社会学视野中的校歌功能与传播

The Function and Communication of School Song from the Perspective of Social Musicology

从音乐社会学的视角来看，任何时代、任何社会都会有自己的大众音乐生活。结果认为，大众音乐体育具有健心和健身的双重价值，深受群众的青睐；

The result shows that mass music sports have double value of mental and physical , it is popular among the people .

音乐社会学是当代音乐学中的一门重要分支学科，本文对新中国成立以来的音乐社会学发展情况进行评介。

As one of the representatives of the socialization electronic music , Vangelis has been composed a great deal socialization electronic music since1970s till nowadays .

本书吸纳了来自音乐、人类学、社会学和相关学科的作者，既界定了领域，即音乐与文化的关系是什么？，也提供了世界音乐特殊问题的个案研究。

Drawing on writers from music , anthropology , sociology , and the related fields , the book both tries to re-define the field , i.e. , " What is the relation between music and culture ?" and then presents case studies of particular issues in world musics .

中国当代音乐学中的音乐社会学

Musical Sociology in Chinese Contemporary Musicology

也是一次从音乐分析开始至音乐美学、音乐社会学、音乐心理学的旅程。

Is also a music analysis between the start of the music aesthetics , music sociology , music psychology journey .

文章为德国音乐百科全书（MGG）的条目“音乐社会学”，原文发表于1997年。

The article is a translation of the entry Musiksoziologie ( Musicology ) in MGG , which published in1997 .

文章在三大音乐文化体系认识的基础上，从音乐社会学的角度，提出了音乐文化体系相交互动这一新概念。

Basic on the cognitive of three main music-culture-systems , from the point of music society , the writer proposed the new concept of " inter-flow " music-culture-system .

音乐的美学功能必须借助音乐实践才能表现出来，反之亦然，音乐的社会学功能也必须依赖对音乐本质的美学分析。

The aesthetic function of music must be shown in music practice , and vice versa , the sociological functions of music must rely on the aesthetic analysis of music .

对中国传统音乐形态的划分在学界早有定论，然而，在这些形态划分的背后，实际上包含着一种音乐社会学思想。

There is a conclusion to division of Chinese traditional music in educational circles , but behind the division , it actually with a certain thoughts of musical sociology connotative .