通奏低音

安东尼奥·维瓦尔第的e小调奏鸣曲最初是为大提琴与通奏低音创作的，是典型的巴洛克音乐。

Sonata in E minor from Antonio Vivaldi is originally composed for Cello and basso continuo in Baroque Style .

大调为人声4，合唱队，双簧管2，弦乐组和通奏低音而作的弥撒曲。

Mass for4 voices , chorus , 2 oboes , strings & continuo in G major .

大调为合唱队，小号3，定音鼓，双簧管2，弦乐组和通奏低音而作的圣哉经。

Sanctus , for chorus , 3 trumpets , timpani , 2 oboes , strings & continuo in C major .

因通奏低音流行了一百余年之久，所以有人称巴洛克时期为通奏低音时代。

As a result of Bass-playing being fashioned more than 100 years , there is a call for the Baroque-era as bass playing .

在攻读神学著作的同时，他还有一项爱好，就是想把在教堂音乐和通奏低音记谱法方面的粗浅技巧发展起来，能达到相当准确地按谱合乐参加合唱的水平。

As a hobby , auxiliary to his readings in Divinity , he developed his slight skill in church-music and thorough-bass , till he could join in part-singing from notation with some accuracy .