诗韵

论汉语诗韵的历史和现状及其发展方向

On the History & Its Developing Direction of Chinese Rhyme

我为您带来那诗韵的妖娆

I bring you my passionate rhyme

《文会堂诗韵》研究

The Study on " Wen Hui Tang Shi Yun "

流动的诗韵，走过我的身边。

Poetry in moion , walking by my side .

曲形诗韵&美国当代室内设计作品赏析

The poetic beauty of curved shape & The appreciation of American interior design works

中国古代诗韵论的发展及其特征

The Development and Characteristics of the Theory of the Rhyme of Chinese Ancient Poetry

茶性、诗韵、文人气质的契合是文人喜作茶诗的重要原因之一。

Tea , rhyme , literati temperament literati culture is one of the important causes of happiness .

和陶诗是苏东坡追和陶渊明诗韵而创作的诗歌，现存124首，是诗人在生命的最后十年内，主要于扬州、惠州、儋州三地完成的。

During his last ten years , Su Dongpo composed 124 poems on Tao Yuanming 's verses .

从语音层面上看，现代诗歌由于分行排列和标点符号的引入形成了迥然区别于传统的现代诗韵体系；

At the sound level , modern poetry differs from traditional poetry in using line breaks and punctuation marks .

春天是一首诗，所有的诗韵都弥漫着云铜人的智慧和骄傲；

Spring is a poem , a poem are all filled with the wisdom and pride of Yunnan Copper ;

北宋新喻三刘诗韵研究

Studies of the Rhyming in the Poems by the " Three Poets of Xinyu Named Liu " during the Northern Song Dynasty

在诗人海一样宽广的心中充满了美妙的旋律，诗韵、诗格、每一个诗步似乎都变成了跳动的音符，激发着他的灵感，牵动着他的诗情。

His poetry is musical and emotional and each syllable sounds like a musical note , from which the poet drew his inspiration of poetry .

凭着我这诗韵做符咒，犹如从未灭的炉头吹出火花，把我的话散布在人群之中！

And , by the incantation of this verse , Scatter , as from an unextinguish 'd hearthAshes and sparks , my words among mankind !

无论是豪华庄重，极致奢华，抑或是情调盎然，诗韵浓烈，还是不拘一格，自然浪漫，或色彩明快，风格奇特

Whether it is a solemn luxury , or the atmosphere lively , strong poetic , or eclectic , natural , natural romantic , or bright colors , unique style

明清诗论家对诗韵的论说，多方面地展开了古典诗韵之论，将南朝以来人们对诗韵的阐说予以了提升和深化。

The discussion on poetry rhyme of the poetic critics in Ming and Qing Dynasty , develops the classical poetry rhyme theory , promotes and deepens the explanation since the South Dynasty .

诗韵研究可以探讨一组区域性文人（群体）的用韵情况；也可以重点考察某一区域有代表性的一个文人（个案）的用韵情形。

Rhyme study of poems and verses may examine a group of regional writers ( group ); also may inspect some representative writer ( case ) who is belong to one region .

第三章以十六摄为纲分析隋代墓志铭文的用韵，并将分析结果与诗韵及《隋韵谱》进行比较。

Chapter third to sixteen taken as the key link of the Sui Dynasty epitaph of the rhyme , and the results of the analysis and Poem Rhyme and " rhyme spectrum of Sui " spectrum comparison .

并将古体诗文韵部与近体诗韵部进行比较，着重探讨古体诗文用韵中跨部相押的特殊韵例产生的原因及其反映的语音实质。

This chapter also compares between the rhyme classes in classical style poetry and those in modern style poetry , mainly focusing on the special rhyme of different classes as well as its causes and phonological essence reflected .

同时也指出了李因笃古音研究的不足之处，包括对两汉诗歌注音的缺陷，对两汉诗韵研究不明音变，古诗无叶音观念不彻底，以及以唐诗论古韵等。

At the same time we also evaluates the deficiencies , including phonetic defects , the study on the Han Dynasty poetic unidentified the sound changes , and proving the ancient rhyme with Tang Dynasty poems and so on .

宋代诗话中的诗韵论主要从两个维面展开：一是作为诗法层面的诗韵论，着重探讨韵作为韵律、韵格之义与诗歌创作的关系；

Discussion of the poem rhyme in Song Dynasty mainly extends in two aspects : one is the poem rhyme in poem rules which mainly studies the relationships between poem writing and rhyme , emphasizing on rules and forms in rhyme ;

其实不然，辽诗从另一个侧面揭示了中华诗歌文化的辉煌，宏大、丰富了唐宋诗韵的风采，体现了北方民族海纳中原文化，奋发向上、积极进取的精神风范。

However , Liao 's poems revealed the glory and greatness of Chinese poem culture from the other hand , and enriched Tang and Song 's rhymes . It also embodied North nation 's spirits of admitting Central Plains culture and exerting itself .