花腔女高音

当代世界著名花腔女高音&琼·萨瑟兰

Contemporary World-renowned Coloratura Soprano & Joan Sutherland

其二、追求旋律的诗境美、彰显民族特色是中西花腔女高音作品创作的一致风格。

Second , the identical delivery of creation of coloratura soprano compositions is to pursue to poetical melody and folk aesthetic .

一定是你那花腔女高音尖叫把它吓跑了

And your high-pitched girl scream scared it away .

其主要原因是练习曲研究中，善未有完整的，或者自成一体的花腔女高音练习曲。

The main reason is that in the researcher of the etudes , the coloratura soprano is still incomplete or has its own style .

目前，国内的花腔女高音学习者众多，但能够成为出色的演唱者并不多。

At present , there are many coloratura soprano learners in China . However , not many of them can become an outstanding singer .

【中文摘要】花腔女高音是女高音中的一种较特殊的声部类型，本文从历史角度论述花腔女高音发展，以及声部特点。

Coloratura soprano is the sound of a more special kind , the paper discusses the coloratura development from a historical perspective , and the characteristics of voices .

第四章为歌剧《魔笛》中花腔女高音经典唱段的分析，同样从人物角色、音乐结构及演唱技巧等方面对两首歌剧中的花腔女高音经典唱段进行分析。

Second , three aspects of the two classical coloratura soprano arias in the Operas , i.e. the characters , musical structure and of singing skills will be analyzed .

由于作品风格需要、审美标准以及生理条件等因素，花腔女高音在气息支点、咽部状态、气息量的问题上，都与其它声部不尽相同。

As the work style needs , aesthetic standards and the physical conditions and other factors , coloratura fulcrum in the breath , breath capacity issues are not the same with the other voices .

再以该声部的气息运用特点为出发点，运用心理手段为媒介，通过与其它声部的比较，从而论证花腔女高音气息运用的独到之处。

Then the use of breath-part feature as a starting point , the use of psychological methods for the media , by comparison with other voices to demonstrate the use of the unique atmosphere of coloratura .

其三、调性、切分音、和声技术的运用、花腔乐句的设计等创作手法，是中西花腔女高音作品创作中所共有的技术特征。

Third , creative approaches consisting of tonality , syncopation harmony and coloratura are mutual technical characteristic .