小提琴奏鸣曲

  • 网络violin sonata;Sonatas for Violin & Harpsichord
小提琴奏鸣曲小提琴奏鸣曲
  1. 贝多芬是古典主义与浪漫主义过渡时期最具代表的作曲家,他一生共创作有十首小提琴奏鸣曲。

    Beethoven is one of the most representative composers in the transition period from classicism to romanticism . He totally created 10 Violin sonatas in his whole life .

  2. 巴赫于1720年创作了六首无伴奏小提琴奏鸣曲,为旋律性乐器的复调音乐演奏树立了新的里程碑,被人誉为小提琴音乐中的圣经。

    The six violin Sonatas without company composed by Bach in 1720 have laid a milestone for polyphony performance in melody instrument and are reputed as " the Bible for Violin Music " .

  3. 评说大师们的勃拉姆斯三首小提琴奏鸣曲贝多芬《C小调主题及三十二首变奏曲》研究

    Brahms The 3 Violin Sonatas The Research of Beethoven 's " Thirty-Two Variations on an Original Theme of C Minor "

  4. 周二,她在皇家节日音乐厅演奏莫扎特莫扎特《G大调小提琴奏鸣曲》时因为有孩子在台下咳嗽而生气。

    She took offence at a child coughing during her performance of Mozart 's SonataIn G at the Royal Festival Hall here on Tuesday .

  5. 第三,对《巴赫G小调无伴奏小提琴奏鸣曲》的旋律、节奏、力度变化中弓子的运用(主要分析了第一乐章和第二乐章)进行了分析。

    The study analyzed the application of bow in melody , rhythm , strength changes to " Bach G minor violin sonata no instruments " ( the first movement and the second movement ) .

  6. 第二,对《巴赫G小调无伴奏小提琴奏鸣曲》的弓法进行了具体而详细的解析,对运弓的速度与重量以及不同演奏家的弓法进行了对比分析。

    The effective way of bowing is to play the chords dispersedly . 2 . The study included the bowing of " Bach G minor violin sonata no instruments " . And the comparative analysis of the speed and weight bowing and the bowing of different players is made .

  7. 贝多芬小提琴奏鸣曲第9号作品47《克莱采》演奏速度研究

    Study of the Playing Speed of Beethoven 's Op 47 , Kreutzer

  8. 他对那首小提琴奏鸣曲给予一个优良的阐释。

    He gave an excellent rendering of the violin sonata .

  9. 最后,梅森斗胆地拿出了自己写的小提琴奏鸣曲的一个乐章,让帕岱莱夫斯基过目。

    At last Mason ventured to show Paderewski a movement of his new violin sonata .

  10. 本论文则是以布拉姆斯的第二号小提琴奏鸣曲A大调来作为研究和分析的题材。

    The present paper takes the research and the analysis theme by Brahms'second violin sonata A major .

  11. 在这首小提琴奏鸣曲中,巴赫打破以往旋律乐器的极限,使用了三声部或四声部的对位法。

    In this violin sonata , Bach broke the limit of previous rhythm instrument and used the counterpoint of three-part or four-part writing .

  12. 弹奏格里格《C小调小提琴与钢琴奏鸣曲》有感

    My Impressions on Playing Grieg 's c minor Third Sonata for Violin and Piano

  13. 节奏的探索&德彪西《G小调小提琴与钢琴奏鸣曲》的演奏研究

    The Exploration of Rhythm & A study of the performance of Debussy 's " Sonata in G Minor for Violin and Piano "

  14. 德彪西《G小调小提琴与钢琴奏鸣曲》丰富、多变、细腻的节拍节奏为这一论断提供了典型的实例。

    The rhythm of Debussy 's " Sonata in G Minor for Violin and Piano " is rich , changeful and delicate . It provides a solid example for a typical model for this conclusion .

  15. 弗兰克《A大调小提琴与钢琴奏鸣曲》教学探微

    On Teaching Frank 's Sonata in A Major for Violin and Piano

  16. 他创作有许多非常著名的音乐作品,例如《A大调小提琴与钢琴奏鸣曲》,《前奏曲,圣咏与赋格》,《d小调交响曲》等等。

    He composed a large number of famous works , such as A Major Sonata for Violin and Piano , Prelude , Psalm and Fugue , Symphony of d Minor and so on .

  17. 文章从主题性因素及其贯穿变化发展、和弦结构与调性布局以及节奏特征与重音错位等三个方面分析了克里格里奥诺《小提琴与钢琴奏鸣曲》第一乐章的艺术特色。

    The writer discussed Corigliano 's work Violin and Piano Sonata on three aspects , the theme factor and its development , the structure of chords and tonalities design , rhythm features and the accents malposition .