吹打乐

体现了中国戏曲音乐紧拉慢唱的形式与打击乐伴奏节奏型、少数民族舞蹈性节奏及民族吹打乐节奏；

Have manifested Chinese drama music " tightly pulls slowly sings " and percussion instrument accompaniment rhythm ;

吹打乐，两种最闹的乐器组合，在同一个演出场合中合作，往往可以营照出锣鼓喧天与震人心绯的气势。

The concoction of the two most dynamic instruments-wind and percussion , never fails to create a roaring and captivating ambience when collaborated at the same staging .

吹打乐是我国以吹奏乐器和打击乐器为组合的民间器乐合奏形式，它自明清时期逐渐发展，如今已成为中国传统民间器乐中最为普遍的演奏形式之一。

An ensemble of Chinese wind and percussion instruments , as a most prevalent performance type in Chinese traditional folk instrument music , has been developed since Ming Dynasty .

民间吹打乐研究是地方乐种研究的重要内容之一，而如何结合实地考察以及相应的文化背景进行音乐文化风格分析和探索，则尤为必要。

The research on folk wind music is one of the important contents of folk music study , especially an analysis of music cultural style combining the fieldwork and the corresponding cultural background .