入声韵

梁代诗文阳声韵入声韵用韵数理分析“古学复兴”与梁启超的清代学术史研究

A Study of Rhyming in Poetry and Prose in the Liang Dynasty ; Classical Literature Renaissance and Liang Qichao 's Academic History

第三章具体分析了元明间七种韵书对古入声韵字的处理方法；

The third chapter analyses organizations of Ru Sheng of the middle ancient from seven rhyme books during the Yuan and Ming Dynasty .

中古汉语时期，入声韵尾得以在日语音系中体现，从而实现了入声韵的完全吸收，促进了日语促音的形成。

Middle Chinese , entering endings to Japanese phonology of embodiment , thus realizing the entering tones completely absorbed , promoted Japanese promote tone formation .

明代浙江南曲中入声韵独用少，无法将其独立为部。

The Ru-tone is using less in the Zhejiang Southern Opera in Ming Dynasty , so it is hard to separate it into a single part .

入声韵与阳声韵不同的发展实际，可以为探究近代北方语音中入声韵消失而阳声韵依然存在提供一个佐证。

Different development of Ru rhyme and Yang rhyme is precisely a proof of the phenomenon that Ru rhyme disappear but Ru rhyme are still presence in Northern Pronunciation .

韩国汉字音的韵母可分阴声韵、声韵和入声韵，这些韵母从中国传统音韵学和现代语音学的角度同现代汉语的韵母相比，有不同之处。

The vowels of Chinese character pronunciation in the South Korean language can be divided into high and level , rising and entering tones which , in traditional Chinese phonology and modern phonetics , are different from those in modern Chinese ones .