第三代诗歌

成都内外&对四川第三代诗歌传播的社会学考察

A Sociological Survey of the Popularization in Sichuan of Third-generation Poems

论第三代诗歌

The Third Generation Poem : The Boundary of the Contemporary Chinese Poetry

等等种种表现构成第三代诗歌后现代倾向。

All of which form the post-modern tendency of the third-generation poems .

选本对第三代诗歌的不同诗学态度

Different Poesy Attitudes of " Anthologies " to " 3rd Generation Poems "

第三代诗歌的四个状态

Four Appearances of the Third Generation Poesy

第三代诗歌的文体狂欢标志著现代新诗发展到了一个新的阶段。

The carnival of the third poetry genres marked a new stage of modern new poetry .

无体裁写作与文体狂欢&论第三代诗歌文体的解构与建构

No-genres Writing and Genres Carnival & On The Deconstruction and Construction of The Third Poetry Genres

儒道释视野中的第三代诗歌的死亡书写

Death Expression in the Third Generation Poem under the Influence of Confucianism , Taoism and Buddhism

朦胧诗落潮之后，继而崛起的第三代诗歌、后朦胧诗或知识分子写作以及民间立场等使得诗坛陷入一片众声喧哗中。

After the Obscure Poem , the third generation , Intellectuals and the folk position appeared in the field of poetry .

新写实小说、第三代诗歌、先锋小说和王朔现象，是新时期较重要的后现代主义文本。

The New Realistic novels , Third Generation poetry , Avantgarde novels and Wangshuo phenomenon are important postmodernism texts of Chinese literature in the New Era .

第三代诗歌的批评家人数众多，并且在持续的参与着中国当代诗歌的建设。

Critics of the third generation of poetry has the large number of poems , and they are continued participation in the construction of contemporary Chinese poetry .

第三代诗歌是上个世纪八十年代中后期出现、成熟并最终沉寂的一次诗歌革命。

Input required over here at the third generation of poetry are last century in the late eighties , mature and finally a quiet revolution in poetry .

无论从第三代诗歌自身还是从第三代诗歌批评来看，第三代诗学的确到了适时总结的时候了。

Whether from the third generation of its own or poetry criticism from the third-generation of view , Poetics of the third generation is indeed the right time to sum up .

论文主要以第三代诗歌文本为例，分析阐述反讽在诗歌中的具体表现：言语反讽、戏仿式反讽、存在式反讽等。

Taking poems of the third generation as an example , this paper attempts to analyze specific uses of irony in poems : verbal irony , parody irony , and existential irony , etc.

韩东作为第三代诗歌的精神领袖，其诗歌生命至今已经延续了二十多年，对伤害文学纯粹的因子一直保持着不妥协精神，并保持着独有的清醒和距离。

Dong Han , as the spirit chief of " the third era " poesy , his poesy life has been lasting for more than twenty years , always has the particular clear-head and distance with uncompromising spirit .

然而，在第三代诗歌建立起迥异于朦胧诗的话语方式的同时，并不意味着它具有了后现代性的基本特征。

However , the author points out , that the Third Generation Poem does not mean it has any basic characteristics of postmodernism even though there has been established discursive style totally different from that of Obscure Poem .

从上个世纪80年代的诗歌《有关大雁塔》开始，韩东成为了第三代诗歌运动以及1960年代生的作家的代表人物。

Since creating the poetry " About the Big Wild Goose Pagoda " in the 1980s , Han Dong has become one of the exponents of the " Third Generation Poetry Movement " as well as the writers who were born in the 1960s .

在20世纪末中国，“第三代”诗歌意味着一场世俗化的诗歌革命。

At the end of the20th century ," the third generation " poetry meant a revolution of poetry .