此外，杜夫海纳还论述了表演的极端形式，即复制。
In addition , Dufrenne also discussed the extreme forms of performance , that is , copy .
可以说，杜夫海纳的现象学美学对审美经验极具价值的研究，拓展了美学研究新的生存空间和关注视域。
That is to say , the theory extended a new living space and concerning perspective for the development of aesthetics .
杜夫海纳