故事新编
- 网络old tales retold;Old Stories Retold;New Stories
故事新编-
《故事新编》与中国新历史小说
Old Tales Retold and China 's New Historical Novels
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《故事新编》历来被研究者称为新历史小说。
Old Tales Retold is always called " the new historical novel " by the researcher .
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《故事新编》&对旧的一次脱冕
New Compiling of Stories & Taking off Crown to the Old
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《故事新编》的后现代主义特征
Rethought On Old Tales Retold 's " Characteristics of Post-modernism "
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论《故事新编》的表现主义特征
An Analysis of the Expressionistic Characteristics of " New Stories "
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新编辑手记反讽与《故事新编》的思想内蕴
Irony and Thought Connotation of New Redaction from Old Story
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《故事新编》的诞生
The Birth of The New Edition of the Old Stories
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论《故事新编》的后现代主义文化意蕴（一）
On the Cultural Implication of the Post-Modernism of " Newly Edited Stories "(ⅰ)
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《故事新编》：中国现代历史小说的丰碑
The New Edition of Stories : The Monumental Work of Modern History Fiction
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《故事新编》的人本学解读
The Humanism Interpretation on the New Versions of Stories
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穿行于解构与建构之间&鲁迅小说《故事新编》的后现代主义解读
Traversing · between Deconstruction and Construction & Postmodernism view of the Story Newly Organized
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龟兔赛跑故事新编
New Story of the Hare and Tortoise
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狂欢中英雄的脱冕&《故事新编》浅析
Taking off Crown of the Hero from Revelry & New Editions of Some Historical Stories
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近十年《故事新编》研究综述
A Comprehensive Report of the Studies of Old Tales Retold in the Past Ten Years
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《故事新编》与故事新编体小说
New Stories and Stories of New-story Style
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《故事新编》的喜剧艺术特色
Comedy Features of New Stories
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《故事新编》的后现代价值维度与文本范式
A Probe into the Post - modern Value Dimension and Text Normal form of New Editions of Some Stories
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《故事新编》成为80年代后期新历史小说的精神资源和艺术借鉴。
The stories newly organized has became the spiritual resource and art of the new historical novel later in 1980 's.
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《故事新编》和戏说型历史剧文化内涵之比较
Comparison between the Cultural Connotations in " Newly Edited Stories " and the Teleplay Series of " Playful Interpretation " History
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《故事新编》是鲁迅创作的小说集，但故事新编体小说却是中国20世纪文学中的一种文体存在。
Though Lu Xun created New Stories , new-story style did exist as a style in the 20th century Chinese literature .
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《故事新编》鲜明的表现主义风格倾向，成了鲁迅后期小说的独特徽记。
The distinctive tendency of expressionistic style in " New Stories " becomes the special emblem of LU Xun 's late stories .
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反讽：打开中国现代小说精神空间的另一钥匙&以对鲁迅《故事新编》的解读为例
Irony as a Key to the Spiritual Space of Chinese Modern Novels : On New Redaction from Old Stories of Lu Xun
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笔者认为，争议所以存在的一个很大原因就在于《故事新编》本身的杂糅特质。
The author believes that , a big reason of the controversial is the hybridity characteristics of " Old Tales Retold " .
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《故事新编》是典型的展现中国现代性发生之际真实状况的现代性文本。
Newly Edited Old Stories is a typical modernity text , which exhibits the authentic status when the modernity occurred in China .
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文章着重探讨了鲁迅的神话观，分析了《故事新编》的神话思维及其现实意义。
The project focuses on the myth of Lu Xun 's view of the " New Stories " Mythology and Its practical significance .
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穿越时空的幽会&鲁迅《故事新编》与王小波《青铜时代》比较研究
The Tryst Through Different Time and Space & The Comparative Study of Newly-Edited Stories by Lu Xun and Bronze Age by Wang Xiaobo
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为此，以神话研究方法为主，对《故事新编》进行综合性的系统研究。
To this end , background for this systematic study of 《 Gushixinbian 》 has been described based upon a systematic mythological study .
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《故事新编》的油滑问题历来是争论的焦点，但它的开创意义不容置疑。
The problem of cunning in New Stories has been the focus of argument , but there is no doubt about its start meaning .
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而实现陌生化有三种方法：时空结构交错化、非幻觉化和历史化。这三种方法在《故事新编》和《青铜时代》中都有所体现。
To achieve " Verefremdungsefftkt ", there are three ways : " the interleaving of space and time structure " " disillusion " " history " .
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对古老的神话、传说以及历史演义进行重新书写，正是《故事新编》文体上的独特之处。
His recreation of the ancient myths , legends and historical romances is the very unique point of the literary form employed in the Old Tales Retold .