呈示部

chéng shì bù
  • exposition
呈示部呈示部
呈示部[chéng shì bù]
  1. 奏鸣曲式呈示部中主-属的调性区域不仅来自于二段式,而且还受到了利都奈罗曲式的影响;

    The tonic-dominant tonal area in the exposition of sonata form shows an influence of ritornelle .

  2. 呈示部奏呜曲式音乐作品中表现主旋律的第一部分民乐基础与作品分析

    The first part of a composition in sonata form that introduces the themes . Basics of Folk Music

  3. 仅从各个部分的篇幅上看,一些作品的展开部甚至已经超越了呈示部。

    Only from the length point of view , a number of the developments had even gone beyond the expositions .

  4. 奏鸣曲式是乐曲的一种结构形式,包括呈示部、展开部和再现部三大部分。

    Sonata form is a structured form of music , including the exposition , expand the department and the recapitulation of three parts .

  5. 在第二呈示部之前加入一段缓慢的引子和在第三乐章中插入土耳其风格的民间音乐,这是该作品的独特之处。

    Mozart made this work very particular by adding a slow introduction before the second exposition and inserting some folk music of Turkish style in the third tempo .

  6. 奏鸣曲式是以对比和统一这两个原则为基础形成的一种大型曲式结构。典型的奏鸣曲式一般由三个部分组成:呈示部、展开部和再现部。

    Sonata form is a large musical form which is based on two principles & " antitheses " and " unification " . Usually , a typical sonata form consists of three parts : exposition , development and recapitulation .

  7. 《钢琴与弦乐五重奏》是他经历了序列作曲和先锋派音乐比较理性的创作阶段以后,转向突出音乐的抒情性和质朴性,以及探索新的调性呈示手段的一部极其成功的作品。

    After experienced the rather rational creation stage of serial-composition and avant-garde music , he composed the Piano Quintet , a quite successful work stressed on the musical lyric and unaffected features , and explored the new way to exposit tonality .