钢琴套曲

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钢琴套曲钢琴套曲
  1. 舒曼钢琴套曲《童年情景Op.15》的研究

    A Research of Schumann 's Piano Cycle " the Scenes of Childhood Op.15 "

  2. 他还首创了一种别出心裁的音乐体裁&钢琴套曲形式。

    He also pioneered an ingenious musical genre - piano divertimento form .

  3. 这部钢琴套曲其中包括了五首前奏曲与赋格。

    This piano melody including five preludes and fugues .

  4. 第二章介绍了舒曼钢琴套曲的创作风格及特征。

    The second chapter briefs the creative style and characteristics of Schumann 's piano cycle .

  5. 舒曼两首钢琴套曲研究

    The Two Piano Cycles Research of Schumann

  6. 论汪立三钢琴套曲《他山集》的旋律创作手法

    On the Composing Style in the Piano Music " Collection from Beyond " by WANG Li-san

  7. 这是在实际的演奏中把握舒曼钢琴套曲的风格特征和演绎方法。

    This is grasps the Schumann piano divertimento in the actual performance the style characteristic and the deductive method .

  8. 在这部钢琴套曲中,作曲家融入了这种音乐体裁,也将中国深厚文化的底蕴积累的情绪融入其中。

    In this piano melody , into the music genre composer , will China deep cultural inside information of accumulation of emotion is blended in among them .

  9. 陈氏的诗作《母亲与女儿》及《教会:荣耀的基督新妇》曾由著名作曲家黄安伦谱成两首套曲,分别是女高音钢琴套曲;

    Her poems Mother and Daughter and To the Glory of God became the lyrics for a Suite for Soprano and Piano and the music for Choir , Organ and Orchestra by a famous Canadian Chinese composer Mr.

  10. 1942年创作完成的《调性游戏》是亨德米特十分引以为豪的一部钢琴套曲,它在亨德米特题材广泛、数量浩瀚的音乐创作中占据重要地位。

    Completed in 1942 , the " Ludus Tonalis " is a piano divertimento which Hindemith was very proud of and which occupied an important position in his broad range of topics and vast quantity of music creations .

  11. 并列出了所有的钢琴小品套曲。

    Compound left all pianos sketch divertimento .

  12. 从它独特的标题性、隐喻性和独特的音乐语汇特征三个方面入手,细致分析了舒曼钢琴小品套曲的艺术风格特征。

    From its unique title , the metaphor and the unique music vocabulary characteristic three aspects obtain , carefully has analyzed the Schumann piano sketch divertimento artistic style characteristic .

  13. 他对于这一曲式的改革与创新主要体现在其32首钢琴奏鸣套曲中。

    His reform and innovation in this particular musical form were mainly reflected in his32 pieces of piano sonata divertimenti .

  14. 从他对钢琴奏鸣套曲的结构上发展与创新来论述了他奏鸣曲的结构特点。

    Is chirp from him to piano structure of divertimento between development and innovation is it describe structure characteristic , he of sonata to come to play .

  15. 第三部分从钢琴教学角度探讨了钢琴套曲《四季》,归纳及总结出教学方法和心得。

    The third part probes the teaching method of the Seasons from the angle of teaching piano .

  16. 他一生创作了大量的钢琴音乐作品,首创了钢琴小品套曲的新体裁。

    In his lifetime he created lots of piano music works , and the new piano divertimento sketch genre .

  17. 特别在钢琴音乐方面,他开创了钢琴套曲这一体裁,并将性格小品发挥到了极至。

    Especially in the piano music , he created piano cycle , and brought personalized musical piece to the extreme .