印度佛教

印度佛教孝道观研究

A probe into the sense of filial obedience in Indian Buddhism

印度佛教的传播对古代亚洲国际交往的影响

The Role of Indian Buddhism in Fostering International Contacts in Ancien Asia

古代印度佛教造像艺术溯源

The Buddha Imaging of the Ancient India and its Origin

中国少数民族地区佛教壁画与古印度佛教壁画的不同

The Buddhist Frescos Differences between Ethnic Minorities of China & Ancient India

古代印度佛教中的杰出妇女

Outstanding Female Floures in the Ancient Buddhism of India

唐宋时期印度佛教的中国民间化研究

On the Chinese Folk Transformation of Indian Buddhism in Tang and Song Dynasties

印度佛教与中国道教历史命运之比较

Buddhism in India and Taoism in China : Their Common Fate in History

佛陀世界&印度佛教艺术

World of Buddha & Art of Indian Buddhism

略论印度教与印度佛教的关系

Hinduism and Indian Buddhism : A Historical Connection

从印度佛教传入中国看两种文化的冲突和融合

Inter-Cultural Conflict and Harmony Seen in Light of the Introduction of India 's Buddhism into China

中国龙与印度佛教龙既有着相互差异，又相互影响。

Chinese Dragon and Indian Buddhism have long mutual differences , but also influence each other .

敦煌佛曲的曲调既有印度佛教曲调，也有中国民歌曲调入佛曲。

The melody of Dun-huang Buddhist songs came from both India Buddhism melody and Chinese ballad melody .

印度佛教中国化的历史路径西北佛教历史文化地理研究

The Historic Way of the Sinicization of Buddhism Historical Geographical Study of Buddhist Culture in Northwest China

但其文化来源相异，分别源于希腊古典文化、伊朗琐罗亚斯德教和印度佛教。

They are come from classic culture of Greece , Zoroastrianism of Iran and Buddhism of India respectively .

晋宋神不灭思想与印度佛教业报轮回思想的比较

Compare between the Thought of Imperishable Spirit of Jin and Song Dynasty and Thought of Samsara of Indian Buddhism

禅宗是印度佛教的中国化，这是近代中国佛学界公认的事实。

It is generally accepted by the Chinese Buddhism scholars that ZEN is the Chinese assimilation of Indian Buddhism .

它的形成与发展离不开印度佛教及中土早期佛教心性论的孕育。

Its formation and development is enabled by the theoretical groundwork laid in India Buddhism and prestage Buddhism of China .

摘要佛像在中国的本土化是印度佛教进入中国后的历史文化艺术产物。

The localization of buddha 's figure in China is the art product of historic culture after Indian Buddhism entering chins .

陈那因明和法称因明是印度佛教逻辑的两个高峰。

In fact , Dignaga and Dharmakirti are two summits in the development of Buddhist logic as well as Indian logic .

《大唐西域记》中着力刻画了一种特殊形象&龙形象，对比书中提及的印度佛教龙形象与我国古代龙，两者之间有着密切的相互融合及影响。

Comparison mentioned in the Indian Buddhist dragon image and China ancient dragon , which has a close mutual integration and impact .

此信仰既有印度佛教色彩，又有越南本地信仰，同时也反映出越南人民在日常生活上的需要。

This belief was a combination of Indian Buddhism and the native belief of Vietnam and reflected the need of Vietnamese people in everyday life .

印度佛教艺术随著佛教的传入而进入中国的，对中国的艺术产生了强烈的影乡。

With the introduction of Buddhism the Buddhist art of India is also introduced to china which had a strong influence on Chinese Buddhist art .

公元十三世纪初，印度佛教被外来势力所消灭，事实上，中国成了佛教的第二母国。

In fact , China has become the second mother-land of Buddhism after Indian Buddhism was exterminated by foreign forces at the beginning of the 13th century AD.

在三言二拍中，因果报应思想偏离了印度佛教因果报应思想的原义，体现出新的特色。

In San Yan and Er Pai , the thoughts of karma , departure from the original meaning of Indian Buddhist Thought has reflected the new features .

中国人物绘画发展最繁荣的时期是在我国的唐代，同时也是印度佛教在中国达到兴盛的时期。

Figure painting in China 's most prosperous period of the Tang Dynasty in China , but also to meet Indian Buddhism flourished in China , period .

他在伦理和宗教上安置终极关怀，即沿着儒家伦理传统和印度佛教传统来解决终极关怀问题。

He places his ultimate concern on ethic and religion , that is to say , solving the problem by the traditions of Confucian 's ethic and Hinduism .

第三章到第五章则是从路径、类型、特征等三个方面对唐宋时期印度佛教的中国民间化进行分析。

Chapters three to five deal with the folk transformation of Indian Buddhism in Tang and Song Dynasties , with foci on its routes , types and features .

禅宗作为移植自印度佛教古树的中国奇葩，其所蕴含的丰富美学内涵深刻地作用于中国美学史。

Zen , a rare and beautiful Chinese follower transplanted from the Indian Buddhism old tree , contains the rich esthetics connotation which acted on the Chinese esthetics history profoundly .

接着，对梵呗进行了专题研究，阐明了印度佛教音乐传入并融入中国发生的诸多变化。

Then , Buddhist music in the form Sanskrit chanting conducted case studies to clarify the Indian Buddhist music incoming and integrated into the many changes taking place in China .

中国的塔文化是印度佛教文化与中国传统民俗文化在长期发展过程中相互碰撞、交流、渗透、吸收、融合的产物，经过长时期的发展，多元性是其最重要的特点。

Tower culture is a product of Indian Buddhist culture and traditional Chinese folk culture in the long-term development process of colliding with each other . Diversity is the most important characteristic .