兴象

中国古代诗学兴象论研究

A Study on " Xing-Xiang " in Chinese Ancient Poetics

他的声律标准，一是雅调，讲声调之雅特别是格调之雅，声律依诗的雅调兴象而随任自然；

Firstly his rhythm standard is elegant tone , especially , the elegance of style ;

此类兴象多取于桃、苡、花椒、兰、枣、瓜等早实多子植物和鱼、螽斯等多子动物。

These images cover such plants and animals as peaches , Chinese prickly ashes , melons , fishes , worms and so on .

《诗经》婚恋诗中的众多兴象表现了先民希求得子、多子的强烈愿望和久盛不衰的祈子习俗。

In the poems on love and marriage in The Songs there appear a great variety of images reflecting people 's strong wish of bearing more children .

《诗经》生命意识及相关兴象系列初探其他许多有意思的相互关系能被想象出来。

On the Life Awareness of " the Book of Songs " and the Series of Correlated Primordial Images ; Many other interesting correlation can be conjured up .

第二章揭示了序跋中反映出风骨、声律和声调、兴象几个诗学美学范畴的内涵和不断演进的历史；

Chapter two discovers the connotation and the unceasingly developing history of several poetic aesthetic categories such as vigor of style , rhythm and fusion of setting and feeling reflected in the prefaces and postscripts .

在缺锌土壤上施锌肥虽已推广，但用何种方法最好，众说不一。本文认为花儿的基本主题与特色主要表现在三个方面：作为比物与兴象的历史文化传统；

To apply zinc with different methods to zinc-deficit soils has been popularized , but the opinions vary greatly on which method is the best . Opinions vary for the basic theme and characteristic of hua'er .

本文对《诗经》中的动物兴象做出归类探讨，以鸟兽虫鱼四大兴象群为切入点挖掘这些兴象在特定的叙事场景下、特定的抒情环境中表达的象征性意义。

The paper discusses the classified as animals , made by birds insect fish for four elephants in daxing mining these in a particular narrative as the specific scene , lyrical environment in the expression of symbolic significance .

进而论述具体的文学审美活动，拈取古代文论的躁、兴、象等基本范畴，加以扬弃与转化，论述文学审美体验的酝酿、状态、过程、要素等基本问题。

Extracting from the ancient categories of Zao , Xing and Xiang , it discusses specific aesthetic questions on literature such as literary aesthetic experience of brewing , state , process , and the basic elements of the problem .