新民歌

  • 网络New Folk Songs
新民歌新民歌
  1. 也谈新民歌

    Also on " New Folk Songs "

  2. 再结合自身的声乐学习经历,从歌词、旋律、唱腔等三个方面探究改编新民歌的艺术美。

    Then combined with personal vocal learning experiences , this paper explored the artistic beauty of adapted new folk songs from three aspects including lyrics , melody and singing .

  3. 对1958年新民歌运动现象的思考

    Consideration to Phenomenon of Movement of New Folk Song in 1958

  4. 1958年新民歌运动的文化反思

    The Cultural Introspection of New Folk Song Movement in 1958

  5. 这首新民歌流行得真快。

    The new folk song caught on really quickly .

  6. 第二部分新民歌运动:民粹主义文艺的新高潮。

    Chapter two The " new folk song movement ": a new climax of populism literature .

  7. 第三部分民粹主义的胜利&新民歌运动的影响及后果。

    Chapter three The victory of populism , the infection and results of the " new folk song movement " .

  8. 有一首《我们永远跟党走》被编入《中国新民歌三百首》一书中。

    One of his works We follow the Party forever was adopted into a book of Three hundred new Chinese Folk Songs .

  9. 五四诗歌革命、新民歌运动和朦胧诗的崛起是20世纪中国诗歌史上的三次伟大革命。

    " Five-four " Poetry Revolution , " New Ballad " compaign and the thriving of Vague Poetry are three greet revolutions in the poetry history of 20th century .

  10. 他别具一格的新民歌,读后给人一种既能读懂又有启发、既平实又清新的感受。

    His new folk songs with a unique style present us plane , sound and fresh feelings that we can not only understand them but also be enlightened by them .

  11. 《盛世中国》是一张值得期待的经典新民歌原创专辑,收录了龚铭多年潜心创作的四首新民歌。

    Our Golden Ages is a classic album of new folk music , bringing together four new folk music songs , all composed by Gong Ming during years of devotion .

  12. 这些流弊不仅影响着新民歌自身,而且对当代诗歌乃至整个当代文艺创作都产生了相当严重的消极影响。

    Evil social practices these influence new folk song oneself , it produces to be quite serious negative influence to contemporary poem and even whole contemporary literary and artistic creation .

  13. 另外,民众的广泛参与也使新民歌运动以政治话语的身份参与到政治节日化的日常社会生活中来,从而显现着一个时代的生活特色和精神特色。

    Besides , the wide participation of the people made " New Folk Song Movement " part of political festival in everyday life as political discourse , showing the characteristic of life and spirit at that time .

  14. 这种反复摆动的发展轨迹,从外形式角度看,新诗是从格律体到自由体,再从朗诵诗到新民歌;

    This repeatedly swaying developing trace of new verse , seen from the external pattern , is the change from formalized style ( Ge Lv ) to free style and then from recite poems to new folk song ;

  15. 第三章我们研究了新民歌运动的发展与代表作品,并从中提炼出了新民歌运动的创作主体。

    Researches on the development and representative works of New Folk Song movement have been conducted in Chapter Three , which also contribute to the refining of the main body of composing process during the New Folk Song movement .

  16. 在继承优秀的传统民歌的基础上,以创新为关键,抓好裕固族新民歌和新音乐作品的创作,是繁荣发展裕固族音乐的根本所在。

    On the basis of inheriting excellent traditional folk songs and regarding innovation as the key , doing a good job in the creation of Yugur new folk music is where the prosperity and development of Yugur music lies .

  17. 我国的民族声乐艺术主要包括传统的戏曲演唱、曲艺说唱和民间的民歌演唱三大类,其中也包括新民歌、新歌剧的演唱和西洋唱法民族化的演唱等。

    The Chinese national vocality include the drama singing , the speaking and singing music , the folk song , and it also include the new folk song , the singing of new drama , the Chinese singing of occident singing method .

  18. 新民歌运动中虽然也产生了较为优秀的作品,但总的来看,其创作是糟粕远大于精华、品远多于精品,存在着五大流弊。

    New folk song sport it emerges to be comparatively outstanding work too , as a whole , it create it is dross that far greater than quintessence , bad far to rather than competitive product , exist five major evil social practices product .

  19. 1958年新民歌运动是在特殊的历史和政治背景下形成的,一方面解决了当时的文学荒芜,一方面为后来的文学指明了政治方向。

    The movement of the new folk song in 1958 was formed at special history with the politics background . On one hand , it filled the literature gap at that time , on the other hand , it also directed clearly the political direction for the later literature .

  20. 论新时期民歌演唱艺术的继承与发展

    On the Heirship and Development of the Performing Arts of Folk Songs in the New Period

  21. 对待新时代的新民歌,我们该有客观、正确的认识。

    We should erect an objective and right point for the new folk song in new times .

  22. 进入新世纪,华夏民歌虽更其危机四伏、但危机中却往往充满生机。

    In the new century the Chinese folk song is still in danger of being neglected but with chances of survival .

  23. 同时期五、六十年代又陆续创作和编演了大量新歌剧、新民歌,开创了民族声乐百花齐放、百家争鸣的局面,涌现了以郭兰英、王昆等人为代表的一代民族歌唱家。

    A large number of new operas , new folk songs successively in the fifties and sixties of corresponding period were created and compiled and performed , it opens a situation of " lets a hundred flowers blossom , lets a hundred schools contend " in the national vocal music .

  24. 不同新的音乐形式不断出现,代表新风尚的新民歌,独树一帜,广受大众欢迎。

    Various new-music is continuously appearing . The new folk song which represents new wave is something unique and sought-after .