于是，中国戏曲中的苦情戏、怨情戏就在悲剧精神缺失的语境中牵强地被误认为中国悲剧的“正身”。
It seems that Chinese opera is isolated from the western ones whose sense of solemn and stirring originated from hero 's personality grandeur and the destroy of body or spirit .
苦情戏