渔父

垂钓是和渔父形象密不可分的一个动作意象。

Fisherman fishing and image are inextricably linked to an action .

第二节谈宋代渔父词的发展历程。

Section II Fisherman Song words are the course of development .

第一节谈唐宋以前渔父词的发展。

Section I is the Tang and Five Fisherman term development .

渔父形象与古代文人心态

The Image of Fisherman and the State of Mind of Ancient Scholars

这已经是渔父词的衰落期。

This is the decline of the word Fisherman period .

渔父是词人精神自由的外化。

Fisherman words people are outside the spirit of freedom .

渔父词中总有一位清高脱俗的人物挺立其中。

Fisherman word has a lofty total refined one of the characters stand .

这是宋代渔父词的萌芽期，是创作的开始。

Fisherman Song This is the word embryonic period is the beginning of creation .

词人借助渔父形象表达理想中的自由境界。

Fisherman words people use to express the image of the ideal realm of freedom .

《卜居》《渔父》：屈原精神困境的揭示和对自我与社会的双重固持

A difficult position revealing of Qu Yuan spirit and a double persisting in both oneself and society

“得荃忘鱼”、渔父哲学与当代道德“救亡”

" Forgetting fish after obtaining trap " philosophy of fisherman and current " morality saving the country from subjugation "

第一节论渔父形象，他是摆脱尘俗的象征。

Fisherman in section I are the image of him is to get rid of the symbol of mortal life .

大致而言，中国文学中的渔父具有隐士的特征，而西方文学中的渔夫形象堪称智者。

Generally spaking , fisherman in Chinese literature has the features of a hermit while fisherman in western literature a wiseman .

渔父文化对真朴、人格独立、精神自由的追求，对提升人生境界有重要的思想启迪意义。

Fisherman culture , which provides enlightenment on man , longs for purity and sincerity , independent personality and free spirit .

渔父作为中国古代一个隐逸的形象，历来为画家所喜爱。

Fishermen , symbolizing the recluse in the ancient times of China , had been favored by painters through the ages .

这主要指唐五代渔父词，它以张志和的《渔父》为开端，后人继作不断。

Tang and Five Fisherman word to Zhang and the " Fisherman " as the start and for future generations following the constant .

词人以创作来寄托哀思，悲伤有余而气力不足。这一时期以张炎等人为代表。第四部分论渔父词的闲适境界。

Word to people to create sustenance grief , sadness and more than enough gas . Chapter ⅲ Fisherman words are leisurely realm .

虽然宋代之前渔父词的成就不高，但是它对宋代渔父词的创作产生了很大的影响。

Although the achievements of the Five Fisherman word is not high , but he was the creative word Fisherman Song Dynasty had a great impact .

这时的扁舟已经不是渔父的载体，而是有独立意识、有人格魅力的自由生命。

At this time the boat is not the Fisherman of the vector , but there is an independent consciousness , there is the charisma of life freely .

中国古代的田园诗指歌咏田园生活的诗歌，多以农村景物和农民、牧人、渔父等的劳动为题材。

Refers to the ancient Chinese singing idyllic rural life of poetry , mostly rural landscape and farmers , herders , fisherman and other work as a theme .

中西文学中的渔夫（或渔父）形象产生于不同的土壤，它们有着自己独特的存在原因、生活方式和处世态度。

Fisherman 's images in Chinese and Western literature are created from different origins with specific causes for their existence , ways of the life and attitudes toward the world .

《渔父》中有两个文化原型，贯穿了整部中国古代文学史：一是清浊之辩，二是渔父意象。

There are two cultural archetype in " Yufu " which go through the whole Chinese ancient literary history : the argument of Qing and Zhuo ; and the image of Yufu .

这是一种成熟老练的标志，也是文人最高水平的处世之道。第五部分谈渔父系列形象的自由象征。

This is a sign of a mature sophisticated , but also the highest level of civilian life skills . Chapter ⅳ Fisherman Series are the image of a symbol of Freedom .

本文主要探讨渔父这一审美意象的起源及其在山水画史发展的过程中不同的审美倾向和嬗变过程，同时分析其在山水画形式发展中的美学价值。

The thesis inquires into the origin of the aesthetic imagery of the fishermen , and their various manifestations and evolutions and also analyzes their aesthetic values during the development of landscape paintings .

如果说《卜居》揭示了屈骚精神在现实中的困境，那么《渔父》则展示了屈子在困境中对自我精神生死以之的恪守。

If reveals the difficult position of Qu Sao spirit in the real life , then , shows that Qu-Yuan persists in self-spirit in the difficult position form the cradle to the grave .

这种由“渔父”情结引发的复杂心态需要有适合的文体承载，传统的诗词不适合表现这种特殊的心态。

This complicated mindset aroused by " the complex of fishermen " needs conveying in proper literary style , for the traditional poems were not suitable to convey such kind of special mindset exactly .