死魂灵

《死魂灵》中的魔法力量通过主人公乞乞科夫发散出来，他作为一个带有魔力的“闯入者”，在情节发展中发挥着主导作用；

The magic power in Dead Souls is reflected in the hero Chichikov , who dominates the plot development as a magic " intruder " .

在其代表作《死魂灵》和《钦差大臣》中，魔法力量的存在均是建构叙事的关键，但二者所采用的叙事模式迥然不同。

It is the key element of narration in his two masterpieces Dead Souls and The Government Inspector , but the narrative modes of magic power in the two are different .

遭到评估的作品包括谢列布连尼科夫在果戈里中心排演的果戈里《死魂灵》（DeadSouls），以及著名导演康斯坦丁·博戈莫洛夫（KonstantinBogomolov在其他剧院排演的《鲍里斯·戈杜诺夫》（BorisGodunov）和根据陀思妥耶夫斯基（Dostoyevsky）的同名小说改编的《卡拉马佐夫兄弟》

They included his production of Gogol 's " Dead Souls " at the Gogol Center and productions of " Boris Godunov " and " The Karamazovs , " based on the Dostoyevsky novel , both mounted by the popular director Konstantin Bogomolov at other theaters .

死魂灵不在活玩家的距离计算中。

Dead Players do not count in determining distance between Living Players .

论《死魂灵》的怪诞倾向

On the Grotesque in Dead Souls

《死魂灵》与《儒林外史》同是讽刺艺术的典范之作，含泪的笑是这两部作品共同的讽刺风格。

Dead Soul and Unofficial History of the Scholars are both classic works of satire , and Smiling Through Tears takes on the same style of satire as these two works of literature .