无调性

那时，人们还不接受无调性音乐。

People did not accept atonal music at that time .

本文通过对其《弦乐四重奏五章》OP.5第四乐章的分析，揭示出乐章创作的结构特征，为无调性音乐创作的结构方面提供了一个有趣而具体的参考实证。

This article analyzes the fourth movement of String Quartet ( Op.5 ) to reveal its structural characteristics , and therefore provides an interesting and detailed case study of atonal music composition .

桑伯格在中期用无调性方式作曲。

Schoenberg used atonality in the music of his middle period .

大多数人对无调性作品的态度往往是不能接受的。

The majority always turn an unfavorable attitude towards atonal composition .

威伯恩自由无调性管弦乐作品中的节奏特征（下）

The Rhythmic Features of Webern s Free Atonality Orchestral Work (ⅱ);

无调性风格乐曲，无调性风格学说。

Atonal composition or the theory of atonal composition .

勋伯格的早期伤口是调性的，而他的后期作品是无调性的。

Schoenberg 's early works were tonal , but his later works were atonal .

勋伯格初期无调性音乐作品中的主题中心

Theme Center of Arnold Schoenberg 's Early Atonality

安东尼奥尼拍摄的唯一一部美国电影，一部关于1960年代晚期的无调性幻想曲。

Michelangelo Antonioni 's only American film , an atonal fantasia on the late1960s .

1是二十世纪自由无调性手法作品之一。

Was one of the compositions with the method of free atonality in 20th century .

无调性声乐作品的教学应用

Teaching Application of Atonal Compositions

同时，把注意力放在调性功能上，那可能隐藏在明显的无调性之后！

At the same time , pay attention to tonal functions that may be lurking behind the apparent non-tonality !

德彪西也许是真正的第一个20世纪作曲家，他预见到了无调性音乐很快会出现在维也纳。

Perhaps the first truly20th century composer , he prefigured the developments in atonality that would soon occur in Vienna .

重症肌无力中医证候的回顾性调查、分析威伯恩自由无调性管弦乐作品中的节奏特征（下）

Ulti-analysis : Characteristics of Traditional Chinese Medical Syndrome of Myasthenia Gravis ; The Rhythmic Features of Webern s Free Atonality Orchestral Work (ⅱ);

他的文章千篇一律，一个调调儿。无调性的，不成调的：缺乏中心旋律或主旋律的；以无调性为特征的。

His articles are fixed in form and monotonous in content . atonal : Lacking a tonal center or key ; characterized by atonality .

作品摆脱了调性的束缚，在无调性的前提下，却仍保持了调性原则的存在，也就是支持音的存在。

Works out of the shackles of tonality , but there is still the principle of transfer , which is to support the existence of sound .

对传统调性思维冲击就表现在二十世纪调性思维的扩展&无调性的产生。

The impact on the traditional thoughts of tonality , was the atonal music in the twentieth century , as an expansion of the traditional tonality system .

音乐创作也独具匠心，从过去简单的民族调式，到现在无调性的运用，看到了音乐创作上潜在的爆发力。

Also original music from the past , a simple mode of the nation , and now the use of atonal , the music see the explosive potential .

无调性破坏了音乐作品本应该有的结构力，没有了支撑，无调性的作品创作就受到了局限，它不具备构成一部大型作品的要求。

No tonal destroyed music works should have , without the support structure strength , without the tonal works from the limitations , it has constitute a major works requirements .

其次，提出在训练无调性音乐旋律听觉之前，有必要进行音程的专门练习，它是无调性音乐听觉入门的基础。

In the second , it is necessary to train hearing of interval before aural training of atonal music melody , it is basis of aural training of atonal music melody .

通过与调性理论和其他主流无调性理论的比较，进一步展示这一理论的独特性，以及在西方音乐理论发展史上的地位和意义。

Comparing with tonality theories and other mainstream atonality theories , to expose the characteristic of the theory and the status and significance in the western music theory history . 4 .

勋伯格初期无调性音乐创作，由于已失去“调性”这一深层结构力作用，因此只能借助“强化的主题一致性”来保证作品的有机统一性。

Arnold Schoenberg 's early works of atonality , because of the structural functioning of missing of " tonality ", can only keep unity by dint of " strengthened theme coherence " .

他努力地追求独创性，在旋律、和声、织体上都有新的音乐语言，给无调性音乐的产生发展起了桥梁作用。

What he pursued the originality constantly , in melody , harmonic progression and texture on the body all to have the new music language , was the bridge for the development of atonality music .

再次，进行无调性音乐旋律听觉的深度练习时，本文通过以阿伦·福特的音级集合理论为基础，提出了一些无调性音乐旋律音高系统训练的基本原则和方法。

In the third , when training the depth hearing of atonal music melody , this article illustrating some basic principles and methods in pitch system of atonal music melody is based on Pitch-class set by Allen forte .

摘要以勋伯格为代表的新维也纳乐派使传统的调性音乐走到了尽头，开创了自由无调性音乐，十二音序列音乐，后来又被其他作曲家继续发展为整体序列音乐。

Neo-vienna group , represented by Schoenberg ended the era of the classical tonal music and started the free , atonal manner , the twelve pitches serial music , which later was called by other composers as integral serialism .

结果发现了重复启动效应，且其受到乐境调性及反应速度的影响：重复启动仅在无调性乐境、快速反应被试组产生。

The result showed occurrence of repetition priming . And it was affected by the tonality of musical context and the speed of response : repetition priming took place only in atonal melodies and on subjects who showed higher response speed .

本文研究的《第一钢琴奏鸣曲》是他早期运用无调性手法创作的作品&怪异的音级组合、出人意料的节奏变化以及强烈的力度对比等等。

In this paper , Premiere Sonata pour Piano is his a early work that used the atonal compositional techniques , the strange Combination of sound level , unexpected changes in rhythm and the intensity of the strong contrast and so on .

勋伯格的作品影响很广，十二音序列成了同时期作曲家竞相尝试的作曲技法，一些新生派作曲家更是在勋伯格十二音序列的基础上发展出了其他无调性的作曲方法。

Schoenberg works effect is very wide , twelve pitches serial composing technique became the same period composer global-positioning try composing technique , some freshmen pie composer is in schoenberg twelve pitches serial develops on the basis of out of the other without the tonal composition techniques .

可以肯定的是，任何按照严格序列写出的音乐必定是无调性的，然而贝尔格却经常冲破调性的束缚，在序列作曲技法中混用某些和声技巧，使音乐听起来具有调性的韵味。

Undoubtedly , any music work which is strictly written in accordance with the sequence of music must be intoned , however Alban Berg often broke the bondage of tonality in sequence in composing techniques , skills , making certain harmony mixed with the tonal music sounds lasting appeal .