斯坦尼斯拉夫斯基体系

第二章从二者的本质联系入手，论述19世世纪初俄罗斯戏剧与斯坦尼斯拉夫斯基体系的内在呼应。

The second chapter expounds the fact from the essential connection that Russia drama from the 19th century to the beginning of the 20th has essential demands to Stanislavski system .

所以，针对这一问题，本论文将以戏剧表演体系中的斯坦尼斯拉夫斯基表演体系为主要研究对象，发现和总结其中的优秀经验、并探讨其与声乐表演艺术相结合的可能性。

Therefore , in response to this question , the papers will be use Theatre Stanislavski performance system as the main object of study in the system , summary and found the good experiences , and explore the possibility of combining it with the art of vocal music performance .

“内心的真实”由此也成为了斯坦尼斯拉夫斯基表演美学体系中的核心概念。

" The inner truth " has also become a key concept of Stanislavsky system , or method .

这一学派继承并发展了丹钦科、斯坦尼斯拉夫斯基的演剧体系，为现实主义的演剧理论输入了新的血液；

This school carries Danchenko 's and Stannisilafusiji 's tradition and infuses realistic theory of performance with new blood .