宗教画

zōnɡ jiào huà
  • religious picture
宗教画宗教画
  1. 明清之际天主教的传播与西洋宗教画的关系

    Relationship between the spread of catholicism in the Ming and Qing dynasties and occidental religious paintings

  2. 用绘画表现每天普通的生活.反对宗教画和肖像画。

    The depiction of common , everyday life in art , as opposed to religious or portrait painting for example .

  3. 天主教在华传播的起起落落,也可以从西洋宗教画在华境遇中窥其一二。

    We can also understand the ups and downs of the spread of Catholicism in China from the circumstances of occidental religious paintings .

  4. 东方美学和艺术是不同于西方美学和艺术的另一种美学体系和艺术形态。由《天王送子图》和《西斯廷圣母》比较东西方宗教画的艺术特色

    Eastern esthetics and art are quite different from that of western . On Artistic Characteristics of Chinese and Western Religious Paintings from Born of Gautama Buddha and the Sistine Madonna

  5. 他是位多产的画家,其画作体裁广泛,不论是肖像画、风俗画还是宗教画,都备受赞誉,在版画和素描领域更是成就非凡,远远超过了同时代的画家。

    He is a prolific painter , its wide range of genre paintings . Portraits , customs paintings , whether or religious paintings , are highly acclaimed in the field . Prints and drawings are more remarkable achievements , far more than the contemporary artists .

  6. 本地特色馆藏对创新思维的必要&有感东方思维与述而不作的传递由《天王送子图》和《西斯廷圣母》比较东西方宗教画的艺术特色

    AA GOSSIP-BASED ANALYSIS OF LIBRARY COLLECTION WITH LOCAL FEATURES NEEDED FOR THE CREATIVE THINKING & Feeling on the Transfer of Oriental Thinking Mode " Narrating , Not Creating " On Artistic Characteristics of Chinese and Western Religious Paintings from Born of Gautama Buddha and the Sistine Madonna

  7. 用油墨画在小木板上的一种宗教常规画;被东正教会所崇敬。

    A conventional religious picture painted in oil on a small wooden panel ; venerated in the eastern church .

  8. 在思路上,经过现状透析将其与之相关联的文化现象如民俗信仰、宗教信仰、中国画,及现代文化产业发展做交叉分析。

    On the thinking , this paper makes cross analysis through the current thinking associated with the cultural phenomena such as folk beliefs , religious belief , freehand brushwork in traditional Chinese painting , and modern culture industry development .

  9. 最普遍也是最合理的假设是这些图案表现出了纳斯卡人的宗教信仰,他们画图案是为了向俯察他们的上帝做祷告。

    The most popular and reasonable hypothesis is that the lines must have figured in the Nazca people 's religious beliefs , and that they made the designs as offerings to the gods , who would 've been able to see them from the heavens .