咏物诗
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齐梁初唐咏物诗比较论
The Comparison of Poems Describing Objects of the Beginning of Tang Dynasty and That of Qi Liang Dynasty
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本文运用了比较方法,论述了初唐咏物诗对齐梁咏物诗的沿袭及其发展新变,并且探讨了促进这两个时期咏物诗发展的原因,总结了其成就和不足。
This essay discusses how poems describing objects of the beginning of Tang dynasty followed and developed that of Qi Liang dynasty by the method of comparison .
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齐梁咏物诗研究
A Study of the Thing-chanting Poetry of Qi and Liang Dynasty
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《橘颂》及咏物诗的传统特色
From Ode to Orange to the Traditional Features of Eulogistic Poetry
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第二部分是咏物诗和艳情诗。
Another part chants the thing poem and gaudy love song .
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咏物诗是中国最古老的诗歌题材之一。
Poetry chanting things is one of the most ancient Chinese verse .
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宫体诗是体物潮流影响的结果。在诗歌范围内看,咏物诗是宫体诗最直接的源头。
It is the trends of the form-and-thing that influence palace poems .
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咏物诗的情节链与李商隐的《锦瑟》诗
The Plot Linkage of Existential Poetry and Ornamented Zither by Li Shangyin
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唐人咏物诗的生命意识
Life Consciousness of Poetry Chanting Things of the Tang Dynasty
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咏物诗的发生及其原品格
The Original Source and Characteristics of Object - Chanting Poetry
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在此基础上回顾了中唐以前的咏物诗发展概况。
On this basis , review the Development of chanting poetry before Tang .
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杜甫咏物诗刍议
On Du Fu 's Poems of Praising Material Objects
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论唐代咏物诗与士人生活风尚
Poetry Chanting Things of the Tang Dynasty and Intellectuals ' way of Living
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近20年咏物诗研究综述
A Review of the Study of Poetry on Objects in the Last Twenty Years
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第四类,咏物诗。
The fourth class , singing from poetry .
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咏物诗是中国古代诗歌领域中的一个重要门类。
The Object-Chanting Poetry is an important class in the field of ancient Chinese poetry .
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略论唐宋咏物诗的写法类型
Brief Comments on the Writing Types of Poems on Things in Tang and Song Dynasties
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本文从文化内涵和艺术风调两大方面,对魏晋南北朝的咏物诗进行了梳理。
This thesis expatiates on it from two sides : cultural connotation and artistic pattern .
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并对后世咏物诗的创作产生了深远的影响,具有里程碑式的历史意义。
It produced far-reaching effect on the later Object-Chanting Poetry and has historical significance of milepost type .
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理学家朱熹还是一位优秀的诗人,本文以其咏物诗作为研究对象。
Neo-confucianist Zhu Xi is also a good poet . This paper focuses on odes as the research object .
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中唐后期咏物诗的咏物意识及其态势特征
The creative sense of poetry chanting thing of the later period of Middle-tang dynasty and the type of it
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咏物诗在南朝齐梁时期大量出现是引人注目的文学现象。
The emergence of poems on objects in Qi and Liang period of Southern Dynastyis a remarkable story in Chinese literature .
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咏物诗到了唐代杜甫,以丰富的情感内涵和多样化的艺术手法,成为咏物诗的创作顶峰。
Object-Chanting Poetry in Du Fu of Tang Dynasty got into a prosperous period through emotional connotation and diverse artistic techniques .
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咏物诗的繁荣期是唐代,而它的第一个大量出现的时期是南朝。
The Object-Chanting Poetry flourished at the period of Tang Dynasty , and in Southern Dynasty it first appeared in abundance .
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将《橘颂》与《弹歌》作一番比较,显示屈原的《橘颂》才真正完成了咏物诗的创格。
A comparison between Tangerine Ode and Bamboo Bow Ode shows that only Qu Yuans Tangerine Ode created the standards of object-chanting poetry .
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受梁代特殊社会风尚的影响,梁代咏物诗在题材领域、文学特质上,都有与前代咏物诗不同的风貌,并体现出独特的发展状况。
Influenced by the special social fashion in Liang Dynasty , the Yongwu poems show different features in the area of themes and literary characteristics .
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咏物诗独具特色,通过对事物的叹咏来表达自己的情感。
Second , show unique characteristics on his poem of chanting thing , chanting his poem Ode on a sigh of things to express their feelings .
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咏物诗发展到中唐,许多动植物的意象已有丰富的文化内涵。
The images of many animals and plants in the Object-chanting Poetry had been rich in cultural connotations up to the middle period of Tang Dynasty .
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杜甫重新确立了独立咏物诗的传统,并作出重大发展:一是通过刻画来发掘事物的独特比喻意义,二是移情入物;
Du Fu has reestablished the tradition of object-chanting poetry and made some significant developments : 1 . to explore the unique metaphorical meaning via detailed description ;
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陈与义的咏物诗的遗貌取神、侧面着墨的手法正是宋人所开辟的蹊径,并且非常恰当地体现了宋诗皮毛落尽,精神独存的特征。
It believes that seizing the spirit of things instead of describing the appearance is the very new technique which can exactly reflect the Song poem s characteristics .