功能和声

大小调功能和声在中国早期专业音乐创作中的嬗变及成因

Gradual Change of and Potential Reasons for Major and Minor Functional Harmony in Early Chinese Professional Music Composition

而另一方面，德彪西正处在西方音乐史上古典调性语言逐步瓦解的时期，许多作曲家都在积极探索如何摆脱传统功能和声的束缚，创造新的音乐语言。

And the period he lived was the one when the classic tonal language was gradually falling apart , and many composers were exploring how to get rid of the limit of the traditional functional harmony , and in order to create new musical language .

在功能和声的发展历史上，出现了不同的教材流派或体系。

In function and in sound development history , also appeared the different teaching material school or the system .

之前学习的是完整功能和声体系，对于早期和声的形成和发展知之甚少，因而本课题的研究将是本人深入学习和声的又一方式&知其所以然。

Prior to learning the full-featured sound system , for the early formation and development of sound poorly understood , And therefore the study of this topic I-depth study will be another way harmony - know why .

第三节调式化和声进行中，阐述作品中的调式化非功能性和声进行、三全音或小二度关系对调性中心音的支持、调性中心音的贯穿、线性和声思维问题。

The third quarter of this arrangements , expounds the works of this non-functional arrangements , tritone or small 2 degrees of tonal center sound relationship between support , tonal center sound , linear harmonic thinking through .

第四、淡化功能进行，突出色彩性对置。布里顿在这部作品中力图打破传统方法，不让和声进行得到那种通常所预期的效果，以此产生与传统的功能和声完全不同的色彩和音响效果。

In the whole works , Britten try to break the traditional method to produce color and sound effects which is totally different from the traditional function harmony .