道教神仙

三言中道教神仙故事的叙事主题模式

Narrative Theme of Fairy Story in the Book of San Yan

昆仑文化与道教神仙信仰略论

On the Kunlun Culture and the Belief in Fairies of Taoism

第三部分：道教神仙谱系的渊源。

There are four parts of the origin of the immortals in Taoism .

三是《聊斋志异》的环境描写与道教神仙信仰。

Third , the description of environment and the immortal faith of Taoism .

麻姑，是中国道教神仙体系中的女仙。

Magu , is a very famous god in Chinese taoism god system .

道教神仙思想与中国民间信仰有着天然的紧密联系。

The Taoist belief of immortals is closely related with the Chinese folk beliefs .

二是《聊斋志异》的形象创造与道教神仙信仰；

Second , the creation of the image and the immortal faith of Taoism .

《聊斋志异》的艺术成就与道教神仙信仰论析

The art achievement of A Collection of Fantastic Stories and the immortal belief of Taoism

道教神仙信仰及其生命意识透析

The Analysis About the Belief of the Religion of Taoism and the Consciousness About its Life

这幅图很可能是一幅壁画稿本，以繁复的细节描绘了一群道教神仙。

Probably a sketch for a mural painting , it depicts a group of Taoist gods in intricate detail .

太虚幻境是对道教神仙世界的摹仿，是理想化的女性世界，是平等和谐的世界。

Dreamland is an apery of Taoism world , a Utopian feminine world and an equal and harmonious world .

通过这三方面的论述，阐明了道教神仙信仰与《聊斋志异》艺术成就之间的关系。

From these three respects , this paper expounds the relationship between the immortal faith of Taoism and the achievement of this book .

成仙方式和途径，是道教神仙信仰的重要内容，在不同的历史时期有着不同的特征。

The way of becoming fairy is very important in the fairy faith of Daoism , and has different characteristics in different history period .

通过对道教神仙系统的详尽分类，总结道教宫观的类型的级别排列及建筑特色。

By classifying to the Taoist immortal system in detail , it summarized the order of each type of Taoist temples and their characters .

在第一部分中，笔者按时间顺序，以神话、仙话为线索分析道教神仙概念转变的过程。

In the first part , the writer base on the clues of the times and myth , introducing the transformation process of the Taoist immortal concept .

指出道教神仙谱系杂而多端的特点，并分析形成这种特点的原因。

Point out the feature of immortal pedigrees of Taoism , it was huge and complicated . And then analyse the reasons which give rise to this feature .

《聊斋志异》的艺术成就体现在多个方面，成因也是多方面的，其中不可忽视的一个方面是道教神仙信仰对《聊斋志异》的积极作用。

About the relationship between the artistic achievement of Strange Tales from a Lonely Studio and the Taoist belief in immortals , I want to elaborate it in three aspects .

本文对《聊斋志异》的艺术成就和道教神仙信仰的关系，从三个方面进行阐释：一是《聊斋志异》的创作方法与道教神仙信仰；

This text explains the relationship between its artistic achievement and the immortal faith of Taoism from three respects : First , the creation method and the immortal faith Taoism .

全真道的神仙系统既吸收了传统道教神仙，又吸收了大量民间俗神和部分佛教神仙，还有大量的地域神仙。

All really the deity system both has absorbed the traditional Taoism deity , and has absorbed the massive folk vulgar god and the part Buddhism deity , but also has the massive region deity .

论文回顾了道教神仙系统的起源、内容及特点，论述道教中的神仙思想传入在云南时，与民族宗教文化、地域民俗文化、及佛教、儒教等文化相结合而形成特殊的道教文化表现特征。

Paper reviewed the origins , content and features of Taoist immortals systems , and discussed the special Taoist culture performance characters that the Immortal thoughts combined with the ethnic and religious cultures , geographical folk culture and Buddhism , Confucianism and other cultures , when were introduced into Yunnan .

因此道教的神仙信仰及神仙世界和众多的神仙人物传说故事，给予文人画取之不尽用之不竭的创作资源和艺术营养，极大地丰富和发展了中国传统绘画艺术。

The belief of immortals and their paradise and the tales are inexhaustible resources and nutrition for the paintings , thus greatly enrich and develop Chinese traditional painting arts .

其次，在浪漫的仙凡之爱的描写下，本质上其实是宣扬道教的神仙道化故事。

Second , this tale , under the surface of depiction of a romance between a fairy and a mortal man , it is , at nature , an immortal-taoism story that propagate Taoism .

随着时代的发展和传播的需要，道教的神仙越来越多，最终形成了一个复杂而又庞大的体系。

In the pace of the development of times and preaching needs , the immortals in Taoism is becoming more and more , and also much complex , finally it becomes a huge and complex system .

因此，道教十分重视神仙的造构。

Therefore , Taoism attaches great importance to create many immortals .

道教信奉的神仙，不同于一般的鬼神，不是生活在冥冥之中的精灵，而是现实生活中生命个体的无限延伸与升华。

The immortals in Taoism are not the ordinary ghosts or gods or spirits but the eternal extension and sublimation of the individual life in the actual living .

道教的道术影响神仙道化剧多用道术表现生活；

Taoist trickeries were employed to express real life in the Taoist drama ;

神仙类人物多出于历代道教典籍中的神仙人物，其中也不乏佛教神仙以及后世流传演变出来的神仙人物。

The fairy character for past dynasties Taoism books in immortal characters , there are also Buddhist deity and posterity evolve deity character .

本论文从事的是宗教学与绘画艺术跨学科研究，侧重点是道教哲学思想和道教神仙信仰对明清文人画理论、绘画题材的影响及相互关系。

This dissertation is an interdisciplinary research on religion and the arts of painting , focusing on the influence of Taoist philosophy and the belief of immortals on the theories , subject matters of the paintings of the scholars in Ming and Qing Dynasties and their relations .

本文选择了《聊斋志异》与道教文化的核心&道教神仙信仰这一视角作了阐述。

This thesis makes an exposition from the perspective of Strange Tales from a Lonely Studio and the Taoist belief in immortals , which is the center of the culture of Taoism . I .

《真灵位业图》是道教史上第一部拥有完整体系的道教神仙谱系。

The " true spirit map " is the first of Taoism in the history of a complete system of Taoist lineage .