道教造像

无论怎么探讨汉地佛教和道教造像的宗教性，造像都将作为民族造型艺术的一种而存在。

No matter how the Han Buddhism and Taoism of religious statues were studied , statues exist and are used as a national form of art .

同窖藏出土的一件道教老子造像，反映了当时佛、道两教融合发展的事实。

It reflects the two differing beliefs of Buddhism and Taoism are syncretized in that time .

从两宋时期四川地区道教石窟造像看道教神灵信仰特征

The Taoist Grotto Statue in Sichuan Area in the Characteristic of Taoism Godliness in Song Dynasty

同时，道教石窟造像以大量具体生动的艺术形象，表现了道教神灵世界的丰富内容，反映了道教神灵体系演变发展的历史情形。

Also , Taoist Grotto statues , that have much concrete dramatic artistic forms , represent the rich content of Taoist immortal world , and reflect the history situation of the Taoist immortal system 's evolvement .

道教石窟造像是中国历史文化遗存的形式之一，是研究道教信仰的宝贵实物资料，是道教信众运用艺术的表现手法，来表达其神灵信仰的宗教内容；

Taoist Grotto statue is one of the modality of the ancient Chinese culture , is very important precious datum to research the faith , and is an artistic manifestation by those adherents which express a special godliness .