聊斋

《聊斋俚曲》方言词汇文化意蕴研究

The Study on the Cultural Connotation of the Dialect Vocabulary in

刀与菊：禁忌与膜拜&浅析《聊斋》中的三类女性形象

The Sword and the Chrysanthemum : The Taboo and the Adoration

女性文化发展到近代进入了一个新的阶段，王韬的文言小说集《后聊斋》，在某种程度上反映出近代女性文化演变的轨迹。

Female culture developed into a new stage in Modern China .

聊斋民间情趣探讨

A discussion on the folk tastes in Liao Zhai Zhi Yi

第四部分（第三章）《聊斋戏的总体特征》：从七个方面概括聊斋戏的总体特征，结合清代中后期杂剧传奇发展特点比较总结。

The fourth part is to summarizes the general character from seven aspects .

从清代聊斋戏看戏曲改编对小说素材的选择性

Selecting in Drama Adapted from Novel Source from Qing Dynasty ' Liaozhai Drama

第二，《聊斋俚曲》比较句的研究状况。

Second , The Liao Zhai Folk Tune Comparative Sentence the research condition .

第二届国际聊斋学讨论会综述

A summary description of the Second International Seminar on A Collection of Fantastic Stories

云解有情花解语&《聊斋》世界中的女性形象探本

Analysis of Female Images in " Liaozhai "

本书里的聊斋故事是经过我审慎挑选过最有兴趣的部份。

This book contains a careful selection of the most interesting stories in Liao Zhai .

西北方言词语在近代俗语词考释中的价值略论&以《金瓶梅词话》、《醒世姻缘传》和《聊斋俚曲集》为例

The Value of Northwestern Dialect for the Explanation of the Vernacular Words in Modern Times

聊斋的原作者蒲松龄死于三个世纪以前。

Pu Song Ling , the original author of Liao Zhai , died three centuries ago .

论清代仿《聊斋》派传奇小说的文学观试论清末民初社会言情小说的时代思想

On the Qing Dynasty 's Literary Concept of the Legendary Novel Modeled after " Strange Stories "

《聊斋》系列小说中的教育小说对兄弟教育题材的处理独具匠心。

The novels of education in " Liaozhai " series are distinctive in the theme of the brothers education .

更不要说《聊斋》里面众多的鬼神，爱上了人类。

Let alone numerous stories between mankind and other kind , vampires , angels , ghosts , or even aliens .

在聊斋的四百多个故事里，这些鬼怪和精灵们都被活生生地拟人化了。

In the more than four hundred short stories in Liao Zhai , ghosts and spirits were all vividly personified .

这一部分，总结了从《聊斋俚曲》到现在淄川方言比较句的发展演变情况。

This part , summarized from the Liao Zhai Folk Tune to the present Zichuan dialect Comparative Sentence development evolution situation .

正因为我们找不到答案，同样地我们也不能回答聊斋故事中的很多问题。

Just as we cannot find those answers , neither can we answer the questions in the stories of Liao Zhai .

本文以文本阅读的研究方法，对《聊斋俚曲集》的创作缘起、思想性和艺术性进行探讨，以期起到抛砖引玉的作用。

This paper is discussing the origin , ideological content and art content of this collection in the method of text reading .

其显现原初表达的特有含义，能加深受众对聊斋本文的认识。

Tt can reproduce the specific implication of the original expression , and help readers deepen their understanding about the original text .

《画皮》改编自古典文学名著《聊斋》中的一个狐仙故事。

Based upon the classic literature of Liao Zai , Painted Skin is an adaptation of one of the stories that dwell on fox spirits .

拿起石头路径的权利和获得一个画有符号的白色石头第四聊斋存货。

Pick up the STONE to the right of the path and get the fourth STRANGE WHITE STONE WITH A SYMBOL ON IT in inventory .

本文有关南北曲同明清小曲、聊斋俚曲的关系的论述，对明清小曲、聊斋俚曲研究也有普遍的意义。

The discussion should have a universal significance to the study of Ming and Qing ditties and to that of folk songs in Liao Zhai Zhi Yi as well .

希望这种探索能为聊斋研究有所补益；另外，也为其它作品中的同类文学形象的研究提供一点借鉴。

I hope that the exploration of this paper is benefit for the research of " Strange Tales of a lonely studio ", as well as other works of similar literary images .

《聊斋俚曲集》是一部通俗说唱作品集，全部曲目都用淄川方言写成，该书口语程度极强。

Liao Zhai Folk Tune collection is a collection of works of popular entertainment consisting of talking and singing . All the works written in Zichuan dialect have a high degree of spoken language .

本文试图通过《聊斋》九篇写实性三角模式婚恋小说，透析蒲氏对现实婚恋的看法和期望，揭示其囿于时代的思想局限性。

The article try to analyze Pu Song-lin 's view and expectation of real marriage , announce his thoughts restrictions in that age from nine pieces three-angle marriage novels in " Liao Zhai " .

译坛泰斗林纾不仅在他的“聊斋体”小说中刻画了为数不少的侠士，而且本人具有极其鲜明、可敬可佩的侠义风范。

Lin Shu , a great master of translation , not only described a large number of paladins in his " Ghost-style " novels , but also showed himself as a very distinct , respectable and admirable wushu master .

本文首先对《聊斋俚曲》比较句进行共时平面的定性定量描写，在具体的分析中遵循形式与意义相结合的原则，力求使它在共时平面的结构框架更加科学，更加系统。

First of all , based on the principle of form and meaning combination , this paper gives a synchronic plane , quantitative and qualitative description of the Liao Zhai Folk Tune Comparative Sentence , attempting to make the building of synchronic plane frame more scientific .

《聊斋俚曲》共计60余万字，能够代表当时淄川方言的概貌，是后期近代汉语，特别是明清淄川方言研究的重要资料。

Liao Zhai Folk Tune a total of more than 60 million words , on behalf of Zichuan dialect at the time of the general picture is that the latter part of modern Chinese , especially the study of the Ming and Qing Dynasties Zichuan dialect important information .

《聊斋俚曲》作为一部代表特定历史时期、具有特定地域方言特点的历史文献，其研究价值远不止于它的历史时间性，也许它的历史空间性更应引起我们的注意。

Liao Zhai Folk Tune as a representative of a particular historical period , with specific geographical dialect features of the historical documents , the value of their research is distant not stopping in its history temporality , its history space maybe responds to paying attention to arousing us more .