白先勇

中国优秀的自译作家有林语堂、萧乾、张爱玲、白先勇等。虽然国内已经不乏有关他们自译活动的研究，但大多研究都只关注到自译，甚少将自译与他译进行比较。

In China , there are several self-translators such as Lin Yutang , Xiao Qian , Eileen Chang , Pai Hsien-yung , etc. Although there have already been some studies on their self-translation activity , most of them focus only on the self-translated version .

白先勇小说创作的女性视角的形成是有多方面的原因的。

Bai 's feminine angle has taken shape for several reasons .

白先勇的小说中，沉沦意识是一种突出的、贯穿性的精神现象。

Degradation consciousness is a sort of striking and through spiritual phenomenon .

本文从叙述者、对话、心理描写三个方面对白先勇的女性叙事策略进行了分析。

The essay will analyze from narrators , dialogues and psychological description .

试论白先勇小说的戏剧化

Discussion on the Dramatization in the Novels of Bai Xian-yong

白先勇短篇小说叙事空间的转移特别显著，从大陆、台北到美国。

Bai Xianyong 's narrative space includes mainland , Taipei and America , etc.

传统文化的阴柔气质的熏陶、西方文化视角理论的系统影响等诸多方面的因素共同融合成了白先勇小说创作的女性视角。

The feminine traditional culture and western cultural angle theories also attribute to it .

论飞散视野下的白先勇纽约客创作

Review on Bai Xian-yong 's Creation of " New Yorker " in the Dispersal Visual Field

传统与现代的融合&论王蒙和白先勇意识流小说的相似点

Traditional and Modern Fusion : Similarity of BAI Xian-yong 's and WANG Meng 's Stream-Of-Consciousness Novels

日暮西山的艳曲悲歌&白先勇后期小说透视

Beautiful and Sad Melody on the Decline & A Perspective on the late novels by Bai Xian-yong

白先勇割舍不掉文化乡愁情结，张爱玲则显示出对文化的超然态度；

Bai Xianyong connot forget the culture nostalgia while Zhang Ailing shows a detached attitude towards culture ;

本文从两个新的角度对白先勇小说进行细致研究，即女鬼情结和零余者。

This article will study his novels from two new perspective which are Ghost Complex and Remnants .

白先勇离散文学体现了全球多元文化背景下族裔身份的特色。

His Diaspora literature expressed the distinctive of different ethnics ' identification in the multicultural global background .

摘要在白先勇看来，历史沧桑感和命运无常感是中国文学的一大特色。

In Bai xianyong 's view , historical vicissitudes and fatal variables constitute the main features of Chinese literature .

指出白先勇的历史故事创作冲动，来源于其赴美留学后所遭遇的认同危机和文化焦虑。

His creative impulses , derived from its identity crisis and cultural anxiety after he went to the United States .

指出白先勇不仅直接继承和发展了人的文学的自由人文主义特色，还受到了西方现代主义思潮特别是存在主义思想的影响。

He is not only development the characteristic of the " human literature ", but also influenced from Western modernism .

西方现代文化对白先勇创作的影响是多方面的，比如基督教的悲悯情怀、存在主义文学和弗洛伊德学说等等。

Western modern culture affects his creation in many aspects , such as sympathy of Christianity , existentialism and Freudism and so on .

白先勇的创作特色无论对台湾文学来说，还是对世界华文文学而言都具有重要的意义。

The feature of Bai Xianyong 's creation has an important significance not only for Taiwan 's literature but also for global Chinese literature .

白先勇小说中意象的丰富、时空的跳跃、语言的双关、情韵的跌荡和氛围的营造，在在洋溢着中国古典诗词般的意境。

The rich images , jumping time and space , punning language , alterative lyrics and atmosphere in his novel are permeated with Chinese classic poetry .

白先勇小说塑造了一批经典的女性形象，其小说文本表现出对女性的关注和同情，呈现出一种独特的女性视角。

His fiction portrays a series of classical female characters , manifesting close attention and sympathy on women and forming a unique feminine angle of view .

本文将白先勇离散小说创作中对人物结局的处理方式称之为死亡模式，并对其存在着局限性予以批评。

In this thesis , this manner of dealing with the fate of the characters is called Death Mode , which is highly criticized in the thesis .

第三部分分析了白先勇小说的悲剧艺术，从作家的经历和心理历程方面探讨了白先勇作品的悲剧主题和创作风格形成的深层原因。

The third part talks about the reason of Bai Xianyong 's tragic art and solitary creation style in the aspects of his background and psychological experience .

白先勇独特的人生经历不仅为他的创作提供了独特的表现对象，而且形成了其作品中独特的抑郁气质和审美感受。

Bai Xianyong 's special experiences not only apply unique object of expression for his creation , but also form his special melancholy temperament and aesthetic perspective .

台湾著名的作家白先勇写出了一个“年轻人版本”的昆曲《牡丹亭》，赞誉遍及全中国。

Taiwan 's noted writer Bai Xianyong has made a " youth version " of the Kunqu opera " Peony Pavilion ," which has been acclaimed throughout China .

张爱玲、白先勇的生命悲剧意识完全源于二人相似的人生体验和所受传统文化的浸染及现代文学传统的影响。

And the life tragedy consciousness of the two writers completely stems from their similar life experiences , the traditional culture they got and the influence of modern cultural tradition .

白先勇的小说创作吸纳了中西文化，以传统与现代相结合，运用象征艺术，形成了自己独特的语言艺术风格。

Absorbing the Western and Chinese culture and integrating the tradition with modernity , Bai 's novels have developed a distinctive style of language and art with the symbolic way .

白先勇书写女性有着明显的特征，他多把她们置于走不出的生存困境之中，让她们在封闭的困境里得不到超越，承受彻底的绝望。

There were obvious features in his female portraits . He set women in a existential dilemma where they could not step out and were in a deeply desperate mood .

白先勇短篇小说集《台北人》、《纽约客》，以历史沧桑为经，文化乡愁为纬，抒写沉重的人生悲歌、文化悲歌。

Bai Xianyong s short stories , Taipeinese and New York Dwellers describe the elegy of life and culture by taking historical vicissitudes as the longitude and cultural nostalgia as the latitude .

细读《纽约客》可以发现，白先勇在《纽约客》中为我们书写了人和文化的命运选择的三种模式：抗争、妥协、遗忘与麻木。

We will find three modes in " Guest in New York " which is " Resist "," Compromise " and " Forget and Numb " to destiny selection of people and culture .

对白先勇身份认同写作的研究可为深入探讨其他的族裔作家之离散创作提供借鉴，从而提升对全球化多元文化背景下的离散文学之整体认识。

Through the research of his identification writing can provide reference for studying other ethnicities writers ' Diasporas creation as well , so as to enhance readers ' fully understanding of Diaspora literature in the multicultural globalization background .