文学脚本
文学脚本
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在由文学转换为音乐脚本时,他不固封于原作。宋词发展到苏轼时代,出现了词与音乐相分离的趋势。
He was not limited by the original poet work . As the time came to the period of Shu Shi , the renowned ci poet in North Song dynasty , there tended to be a separation between ci and music .
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全文主体共分为三部分,第一部分介绍歌剧脚本的创作背景、创作过程,并就原诗中的文学形象与歌剧脚本中戏剧形象做比较研究;
The main body of the article consists three parts , the first part is the introduction of the creation background and process of the libretto , and do the comparison to the literature image in original poetry and drama image in opera script .