线描

运动、生命、美感&从中国线描绘画谈起

Movement , Life and Aesthetic Feeling Studying from China Line Drawing

主要以线描为主，绘画技巧简略而古朴。

Mainly to the main line drawing , painting and ancient techniques briefly .

他的肖像画多线描，少晕染。

His portraits have more line drawing but less vague dying .

墙上挂着一幅以线描的手法创作的人物肖像。

There is a portrait painted in fine lines on the wall .

《硬笔线描造型》对弘扬中国传统文化精神、建构中国美术观具有重要的现实意义。

The course has practical significance in carrying forward the spirit of traditional Chinese culture .

略论中国画线描艺术

The Art of Sketch in Chinese Painting

5古朴典雅的装饰趣味.6雄强浑厚的写意精神.7飞动圆转的线描造型。

Simple and elegant decoration interesting . 6 overall strong spirit of the freehand brushwork .

由传统到现代，线描有着中国式的文脉传承方式。

From traditional to modern , Chinese-style line drawing has a way of context inheritance .

线描速写的本质与表现方法

The Essence and Expressions of Linear Sketches

实在是精彩的线描绘画。

It was such fine line painting .

敦煌壁画中的线描

About The Line-Drawing of Dunhuang Murals

首先按线描好字母，然后将匹配的字母大小写的框内区域图成相同颜色。

Q Trace this letter first , then color the matchable upper and lower case letters .

我那时激动的心情真是难以描绘。运动、生命、美感&从中国线描绘画谈起

The thrill was indescribable . Movement , Life and Aesthetic Feeling Studying from China Line Drawing

罗恩·韦恩为公司设计了商标，他使用维多利亚时代插图小说风格的华丽线描，

Ron Wayne drew a logo , using the ornate line-drawing style of Victorian illustrated fiction ,

线描的疏、密二体提供了中国画表现的两个向度。

Line drawing of the careful , close two-body performance provides a Chinese painting of two dimensions .

传统线描和装饰线描两者既有很大的相似之处，也有本质的区别。

While there are similarities between traditional and decorative line-drawing , there are also differences between the two .

他的结论与执行最后的线描，提出了他的汽车的动态视图。

He concludes with the execution a final line drawing that presents a dynamic view of his vehicle .

相对于真实感图像而言，线描图形的非真实感图像还具有存储空间小，便于复制和传输的特点。

In addition , illustrations often consume less storage than realistic images , and are more easily reproduced and transmitted .

论述了线描在传统和现代绘画中所体现的造型艺术，以及线描在绘画中的表现手法和地位。

This article is to discuss the formative technique of line drawing and its position in traditional and modern painting .

线描艺术追溯&从中国传统线描艺术互动建筑钢笔设计草图之表现

Tracing the Art of Line Painting & Architecture Designing Sketch with Fountain Pen Learn from the Chinese Traditional Art of Line Painting

在国画专业教学中，传统线描主要注重线条的表现，对体的关注比较少，因而存在一定的局限性。

In teaching traditional Chinese painting , the traditional line drawing focuses mainly on the representation of line and little on object .

线描在中国绘画中一直作为造型的主要手段存在与发展，从而形成独特的民族风格。

Being a unique traditional style , line drawing in Chinese painting has been existing and developing as the main technique of contour .

如果你满意地认为铅笔线描的底稿完整无缺，便可用墨水涂色。

When you are satisfied that the pencil drawing is complete , you may ink it in to make solid blocks of colour .

中国画的线描艺术能够完美地表形达意，足以支撑起中国画的灵魂。

Line art of Chinese painting can be the perfect shape to express the surface , enough to support the soul of traditional Chinese paintings .

后至广州美术学院国画系研究生班专修人物画，因独创的线描重叠画法而为美术界所称道。

To the Guangzhou Academy of Fine Arts after graduate courses specializing in painting portraits , original line drawing by overlapping the fine arts of painting and praiseworthy .

彩绘主要分为线描、平涂、堆漆和渲染四种方法。最常用的方法是线描与平涂。

Colored drawings are divided into line drawing , flat painted , paint and rendering stack , the most common of which are line drawing and flat coated .

在西方风格学家沃尔夫林看来，线描是外轮廓较安定的风格，平面是表面无过多起伏的艺术风格。

In a western style scientist Wolf forest look , line drawing is the outline of a relatively stable style , flat surface without excessive rolling art style .

提出了设计素描教学应区别于传统素描教学的观点，讨论了解决这一问题的方法，即设计素描教学应基于意识训练之上培养线描造型的能力与技巧。

Design drawing teaching differs from traditional drawing teaching in that design drawing teaching should be aimed to cultivate the ability and skill like Line Styling based on Conscious Training .

中国画以线描为造型基础，重视用笔用墨，以墨色作为中国画的基本色调和造型手段。

The traditional Chinese painting makes line drawing its modeling base and thinks highly of using brushes and inks and makes the Chinese ink color the essential tone and modeling means .

在处理边缘线时西方油画一直存在两大体系，即重视边线的线描型和减弱边线的涂绘型，形成这两大体系的原因正在于画家们观察方法上的改变。

Two systems in the western oil painting exists long , that is , strengthening the sideline and weakening the sideline , which is formed by the change of the painters ' observation method .